What if every thought was a movement, and every movement a thought? What is intelligence and when is it artificial? Can robots dance? Can they help our children learn how to be? How are we learning, and do we ever stop? What are the values and skills that we pass on as societies through games, crafts, stories and cinema?
Connecting scenes of pedagogy, work and play in four global sites, THE HEXAGONAL HIVE AND A MOUSE IN A MAZE invites viewers to consider the mechanics of learning. We search in the cabinets of a supercomputer, in the curve of a chalked letter, in the weaving of a basket. We jump down the rabbit hole and seek counsel from researchers and public intellectuals.
Curiosity and the affordances of the essay form send us grazing, observing, and thinking through film with an open heart. We wonder afresh what the human spirit might yet dream up as new and improved programming for our species.
Official selection Sheffield DocFest 2024 International Competition - World premiere
FRAMERATE: Rhythms Around Us bears witness to the flux of life on earth. Surrounded by shifting pointcloud landscapes, submerged in sound, we scale our perspective. Together we see the beautiful, creative, and destructive forces of nature and humanity. We are a part of this rhythm, we contribute to the cacophony, we are in sync, and we catastrophically collide with the beating pulse of our planet.
Official Selection Tribeca Film Festival 2024 - Tribeca Immersive - World premiere
Impersonating the style of an NHS training films from 1960s-70s and shot on 16mm, the film is an exercise in queering the healthcare information film. Using a collated archive of healthcare experiences recorded with Birmingham's trans+ community the film explores the critical state of trans healthcare in the UK through ‘medical drag’ re-enactments.
Official Selection Frameline San Francisco International LGBTQ+ Film Festival 2025
An experimental short: a dark comedy satire combined with a music video: In 2044, humanity subsists on ‘Manna-Moolah’ extracted from an asteroid which is now hurtling towards Earth. With hours before impact, Victor tries to get his mentor, Professor Pokus onboard a ship and leave Earth before it’s too late.
An exploration of the time and labour involved in the creation of any animated film, no matter how long or short. In a tongue-in-cheek interpretation of the ‘Long Shorts’ title, the knitted frames of animation create a physical manifestation of the length of the filmmaking process.
Official Selection Annecy International Animation Film Festival 2025
Existing between the domains of architectural, technological and spiritual mediums, ‘spaces as traces’ features found footage, director Teo Shi Yun’s body of archival material concerns with Singapore’s architecture and Taoist religious rituals, as well as three-dimensional rendered animation of deities in an imagined science fiction of Chinese mythology.
Official Selection International Film Festival Rotterdam (IFFR) 2025 - World premiere
During the conflict in Northern Ireland a practice developed that saw actors hired to dub those associated with the IRA on broadcast media. Via unseen archive footage and interviews with key figures, THE BAN reflects on the British government’s use of the threat of ‘terrorism’ to justify censorship.
Official Selection International Documentary Film Festival Amsterdam (IDFA) 2024 - International premiere
Official Selection CPH:DOX 2025
Official Selection Tribeca Film Festival 2025
A woman on a drip steps outside the hospital for a breather. But does she follow doctor's orders?
Part of THE MUTE Series, a collection of deadpan micro-films made with adherence to three rules: RULE 1 no dialogue; RULE 2 no camera moves; RULE 3 only one shot
Official Selection Vienna Shorts 2024 - World premiere
Documenting the annual round up of wild Carneddau mountain ponies in Wales - organised by local farmers, it's the only intervention in the ponies' lives, who otherwise graze undisturbed whilst conserving their mountain habitat. The film follows the event, becoming increasingly engulfed in complex dynamics of capture and care.
Official Selection International Short Film Festival Oberhausen 2024 - World premiere
A fly on the wall mini doc on the daily activities of engineers in London fixing elevators - showing a day with the teams out on various sites and showing the works that are undertaken by the site teams.
After enduring decades of embarrassment, the filmmaker admits that possessing the most common name in the English-speaking world has had a profound impact on his psyche. Peppered with disparate fragments of autobiography, BEING JOHN SMITH takes us on a confessional journey that reveals just how important a name can be.
