Prolific background actor Jill Goldston takes centre stage in this unique portrait. Constructed entirely from Jill’s performances – captured fleetingly in everything from MR BEAN to THE ELEPHANT MAN – the film is a lyrical journey through popular culture, and a haunting study of life lived out of focus.
Official Selection Berlin International Film Festival 2023 - Short Film Competition - World premiere
A call-to-action short film that uses verbatim dialogue from disabled actors told from their lived experiences. The film unfolds through vignettes of the main characters, as we watch them smash stereotypes and reveal societal barriers, whilst breaking the fourth wall to reveal their inner most thoughts.
When the harmony in a village is threatened by outside elements, two sisters must fight to save their people and restore the glory of a mermaid goddess to the land.
Official Selection Sundance Film Festival 2023 - World Cinema Dramatic Competition - World premiere
Sundance Film Festival 2023 - World Cinema Dramatic Special Jury Award: Cinematography - Winner
Official Selection Karlovy Vary International Film Festival 2023
In Accra, Ghana - a group of young men have formed a brotherhood rooted in a unique combination of acrobatics, dance and fire breathing.
In lack of access to any formal training, they have developed their skills through internet tutorials and relentless practice sessions starting at 5am every morning. This troupe of highly-skilled performers have come to represent strength and positivity to their community, especially the youngsters they train and support with their earnings.
They call themselves The Dragon Boys.
Official Selection Tribeca Film Festival 2023 - World premiere
The painter, now a filmmaker, talks through the making of a painting, and the making of a video from it years later. The oil on board surface is no longer still but animated with motion paths and filters.
In reverence to the British paintings that watch over her from inside a desolate stately home, a young Pakistani girl aspires to become the perfect upper-class lady.
A visual reflection on getting out of a harmful relationship and moving on. 'Sweet Like Lemons' is a play on the saying "when life gives you lemons make lemonade", only in this case there is no lemonade to be made but the lemons still taste sweeter than what you left behind.
Official Selection Annecy International Animation Film Festival 2023
Official Selection Edinburgh International Film Festival 2023
Featuring the artist in a tug-of-war with an off-screen adversary, who is only seen through their looming shadow. The rope's tension ebbs and flows throughout the unrehearsed contest, as the artist's physical endurance is challenged.
Official Selection PRISME – Argentique du futur 2023
Alo, an undocumented overseas Filipino worker, lives in an overcrowded house-share in London. He is struck by a latent neurological problem, which causes a bout of seizures and disrupts his situation in the household. The residents of the house are posed an ultimatum; should they risk Alo’s health or call an ambulance, potentially resulting in his deportation?
World Premiere: BFI London Film Festival 2023
Sundance London 2024
The isolated mountainous region of Tusheti, in Northeast Georgia, is the site for a reflection on the importance of ritual, the maintenance of community ties, and how modernisation and migration are transforming rural landscapes. Shot over several years, Let Us Flow uses inovative audio-visual techniques to make visible the symbolic and physical division of sacred spaces within the community and offers a nuanced perspective on a culture where ancestral shrines are only accessible to men.
In a verdant mountainous region of Georgia, tradition and modernity intertwine. Carrying on the traditions of their ancestors, the men in the film race on horseback down mountains and across wide, expansive valleys in a performance of masculinity. The filmmaker states, “As the film progresses it becomes a film about distance: the twenty meter distance the Tushetian women have to observe from their shrines, the distance between me and my protagonists, between languages and translation.” Medoidze is never seen in front of the camera, made visible only through her voice. Yet even with this distance between her and her subjects the film, as shot from her perspective, makes for a truly immersive piece of observational filmmaking.
