An interactive single screen video installation - Visitors move around the floorplan of a Taiwanese house. As you step into a room, the video projection switches to show that room. As you explore the house, you discover the history of a couple who lived there. They have returned to their deserted home to tidy up the secrets they hold from each other.
The work is both a closed loop and a story that unfolds progressively. The order in which you explore the rooms opens up different interpretations. A vivid cinematic work that follows the logic of dreams as you wander through the debris of a relationship breakdown.
Official Selection SXSW Film & TV Festival 2025 - World premiere
Aella embodies the essence of the wind-restless, elusive, and perpetually in motion. Driven by a deep-seated fear of stillness, she seeks refuge on the coast. In the midst of this turmoil, an agoraphobic older woman observes Aella's manic movements on the beach and descends to offer solace.
AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain.
The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.
An immersive 360° film poem from the heart of a Cornish temperate rainforest.
The voice of the Mother Tree introduces us to the sounds, sights and more-than-human characters of the ancient woodland, encouraging us to think of time as trees do, in hundreds or even thousands of years.
When Levi, an enforcer for a small time criminal faces a personal and professional crisis, his life coils into surveillance and insanity. After a failed execution attempt at the hands of unknown assailants, Levi spends winter recovering in the home of his mother who is simultaneously recovering in the hospital. When Levi receives an ominous voicemail it is clear the life he is living cannot continue. The little security he has is threatened and he flees society to start a new life in the woods. He finds himself reborn until a sense of surveillance creeps back in. When Levi is confronted by a volunteer scout leader, he proves it was simply his environment that had changed not his character. After Levi descends into old ways he returns to the city finding himself in familiar company. It isn't long before old enemies return to finish the unfinished. Levi delves deeper into the woods where the fragility of his psyche is fully realised. He finds he cannot outrun himself .
A summer in the life of a filmmaker weaving her way through six carnivals in England. Observing Caribbean cultural life celebrated-and contested- in public space. We witness multi stage soundsystems, Black Lives Matter floats, histories of violence and peace in the geography of local cities. This film is about how to (and how not to) make an image.
The film is inspired by Isaac Julien’s TERRITORIES, made with Sankofa Film and Video Collective in 1984. While Julien catalogues the antagonistic relationship between Black community and the police at Notting Hill Carnival, NEW TERRITORIES considers the role of spectatorship turned consumerism in laying the ground in which Black and Caribbean identities are defined.
Official Selection BFI London Film Festival 2025
An emotive Mixed Reality performance which uses Volumetric Capture to display a virtual dancer who interacts with, and occupies the same space as a live performer - allowing her to duet with a digital double.
REPLICA asks you to consider human issues around liveness, mortality, memory and ageing - exploring how we present ourselves and connect with each other in a world of growing digitisation.
Official Selection ART*VR 2025
STEPNEY WESTERN is an experimental documentary made in collaboration with young inner city horse riders from Stepney Bank Stables in Byker, Newcastle. It is loosely centred on their Alternative Provision programme — a unique alternative for teenagers who struggle in mainstream education settings. Recasting Byker as the Wild West, this project sits at the porous boundary between fact and fiction, combining re-contextualised iPhone clips shot by the riders and archival material with Lawson's own footage.
As thousands of people travel to see the total solar eclipse in Texas, one woman drives from Dallas to New Mexico, in search of a legal abortion.
Concurrently, people in a town off the Interstate she is driving along decide whether to crack down on 'abortion traffickers' like her.
Official Selection Odense Film Festival 2025
ALSO RESISTERS considers solidarity across generations and geography. Adapted from a 1968 essay by the gay American socialist David E. McReynolds, the short archival film takes the images and sounds of the American war in Vietnam to reflect on the feedback loop between militarism abroad and at home - and the people who resisted it.
APPLE GATHERERS explores the loneliness and dissatisfaction in a labour-intensive world of two main characters and the brief reprieve they have in moments of real human connection. The moment is fleeting, yet powerful - at the same time, it can be interpreted as the single strand that binds them to their drudgery. Set at the bottom of a hierarchical apple cider factory where every aspect of apple production is meticulously controlled, the Peeler and the Shoveller wrestle with management to hold onto their humanity.
In 2024, 82 people lost their lives crossing the English Channel while seeking safety in the UK - the deadliest year on record. In the wake of grief, a poignant journey along the English coast unveils the darker undercurrents beneath the surface. Archiving the sites and textures of the border architecture in the port town of Dover, the film invites viewers to inhabit the tactile imprints of border violence, in a deeply moving contemplation of how borders shape our relationship to place.
