S u b l i m i n a l
Is an short Experimental film created to a musical sound track composed by the director Michael Salkeld. Photographed in 4K Cinema scope with surround sound. The music was created with acoustic violin and electronic keyboard.
A love letter to a forgotten space.
Tones and textures intersect – noises, light, shadow, forms – extended and expanded, drawing us into this non-place.
"The non-place never exists in pure form; places reconstitute themselves in it; relations are restored and resumed in it".
Marc Augé - Non-Places
As much a film project and an experiment in collaboration as it is a set of fragments drawn from a reimagined cosmos. These fragments, sounds, and stories help us convey the experiential moment of entanglement, or rather, they describe an entangled moment prior to separation, what we call “Deep Implicancy”.
One such story we follow is water, both as it phases transitions with and into other matter including life, but also as it combines disparate geographies, bodies of/in water, and four islands within them – Lesvos, Haiti, Marshall Islands, Tiwi.
Through a series of experimental migrations and elemental crossings we begin to question the form of the universal human, its calcified and exceptional origins, and in particular its ethical program. Wandering and wondering through a transformative figuring of justice, we ask, what if our image of the world recalled phase instead of measure? And what becomes of ethics if we let go of value? (Arjuna Neuman, Denise Ferreira da Silva)
Official Selection Berlinale 2019 - Forum Expanded Exhibition - Group Exhibition at Betonhalle - World premiere
An intimate window into how virtual reality (VR) app VRChat is affecting people's social lives for the better. This whimsical documentary tells the story of a couple that fall in love inside tangible VR, as well as two friends meeting up in real life for the first time.
A news story about a school massacre spreads online, but how reliable is the source?
Official Selection BFI London Film Festival 2019 - Experimentia Strand - World premiere
Haruspex is suggestive of dark human secrets. The child makes a spirit guide that turns bad. In adulthood she understands that she is a mammal. She sees with creature’s eyes. The film employs the tropes of the uncanny to evoke a feeling of disquiet. The story is deliberately ambiguous, implicit of something that ought to remain hidden.
'Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine' concerns affective relations and community building. The film is like a spell or a promise for a new and more liberating type of family structure. The film has a non-linear narrative that weaves various intimate settings, some within shared domestic spaces, others in outdoor environments. Shot in Lithuania, London, and Edinburgh, the film features the artist and her children, as well as close friends, which she considers extended family.
In the process of creating this new work, Rosalind Nashashibi questions how a group’s sense of commonality is dissolved when there is an absence of communal experience and adherence to linear time. Through an open-ended discussion of space and time travel in the film, which is in part inspired by the creation and dissolution of group relationships in Ursula Le Guin’s “The Shobies’ Story” (1990), Nashashibi explores new modes of conviviality, considering the absence of the nuclear family structure without an imperative model in sight.
Official Selection Berlinale 2019 - Forum Expanded - International premiere
Scans of medical equipment, X-rays and scraps of found material emerge in counterpoint to a fragmentary, manipulated soundtrack led by the human voice. A rumination on the relationship between the body and technology, UNCONTROLLABLE UNIVERSE continues Richards’ investigation into the formal possibilities of collage and an embodied, affective moving image.
Official Selection BFI London Film Festival 2019 - Experimenta Strand
Animated fabric brings the story of a lingerie factory in Manchester to life. Silk, cotton and lace go under the camera, as the workers recount the history of Headen & Quarmby, the UK garment manufacturing industry, and British family traditions of making. A specially composed soundtrack by Swedish composer Malin Bång, inspired by sounds of sewing machinery, evokes the ups and downs of the factory.
