Projects in genres: Experimental

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Four in the morning, crapped out, yawning.

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A film by Martin Wallace and Jarvis Cocker, The Big Melt combines 100 years of footage from the BFI National Archive with a score recorded live at the Crucible Theatre on the opening night of Sheffield Doc/Fest in June 2013 to tell the story of steel, the story of the men in the steelworks and the story of Sheffield.
Taking us on musical journey into the soul of a nation, it brings to life the ghosts of our past, taking us into the belly of the furnaces and showing how our national character has been stamped from the mighty presses of our industrial heritage.
Featuring leading Sheffield musicians including Jarvis Cocker and Pulp band members, the City of Sheffield Brass Band, Richard Hawley and his band members, the Forgemasters, a string quartet and a youth choir, the live soundtrack has been edited by Cocker to create a phenomenal music score - a new kind of Sheffield heavy metal, with pictures.

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The Golem, a monstrous being of inanimate matter from Jewish folklore, is accidentally summoned from a book wreaks havoc through a library.

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Enter The Green Mind, where lizards pose in secret grottoes, bats circle twilit jungles and snakes entwine amongst flowers.

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Who knows where ideas come from? You or me? Or THEM? The Muses are angry and they want their ideas back! This is a story of thieving and reappropriation, staged on a mythological platform.

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An experimental film exploring the countless possibilities of filmmaking and archive production, and powerfully conveys the argument for education as social purpose (BFI.)

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A poetic documentary about the nature of happiness. Filmed in Mexico over three days, for just £10, it begins as a film about the soviet director Sergei Eisenstein, and then, using his ideas, opens up to look at memory, landscape and the pleasures of walking.

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Subconscious within subconscious.

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KILLING TIME is a short film investigating the life of an isolated young adult riddled with anxiety over the future of our planet, playing Xbox, smoking marijuana and surfing the Internet to pass his time, while he waits for the third kind to show up.

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My work constitutes a core interest in the languages of communication embedded in the social relationships and contexts of the everyday. In Living Room I collated video and sound over time from a single geographic location about the dissolution of family life.

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Premier/Divisions is an artist film that blurs the line between documentary and experimental observational studies, in an attempt by the maker, as an outsider, to understand the complexities and tensions surrounding perceived and real notions of division in Kenyan society in the run up to the 2013 presidential elections.

The footage was documented at a time when tensions were particularly at the forefront of Kenya’s collective consciousness due to the occurrences of the 2007/08 election and the so called ‘post-election violence’ wherein tribal, class and political conflicts resulted in the murders of over 1,200 people.

Through a series of interviews with Nairobi residents, including artists, film makers, journalists, and musicians, director Chris Paul Daniels mixes oral anecdotal perspectives on contemporary Kenyan life within the context of tensions highlighted by the election, which was controversially won by President Uhuru Kenyatta on 4 March 2013.

The film aims to present a personalised portrait of Nairobi with all its vibrancy, complexities and contradictions and reflect on universal societal habits to seek communal identities, ideologies and alliances.

Synopsis

In a tick box society where identity has become a commodity, this new dance film by Seeta Patel and Kamala Devam sees them take a humorous look at how they as artists are influenced by the expectations and definitions placed upon them.