Projects in genres: Experimental

Synopsis

NOW AGAIN is the first filmic interpretation of Marcel Proust's entire novel 'À la recherche du temps perdu'. Part Three encompasses the volumes of SODOM & GOMORRAH. Filmmaker Richard Philpott stretches narrative form into rich and varied experimental territories, providing a visual feast and sonic immersion, using AI and unique digital production techniques, to reveal the vast panoramic structure of Proust's great masterwork and provide a 21st century foundation for this timeless 20th century epic.

Synopsis

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.

Synopsis

AT NIGHT follows six women in Paris, as they traverse the neon soaked anxiety of the city after dark. A filmmaker struggles to understand the film she is making. A black single mother revolts against oppression. A former sex worker reflects on her past. A poet gives up trying for a child. Taking place over the course of a single night and inspired by the writings of cult literary figure Alice Notley, as well as June Jordan, Kathy Acker and Bernadette Mayer, Beatrice Gibson's debut feature film intertwines dream, fiction and reality, each liquefying one into the other. Official Selection Locarno Film Festival 2026 - World Premiere

Synopsis

'Where Did My Diamond Go?' is a sonic and visual sketch portraying one’s frantic search for empty treasures. The piece is part of the 10-year anniversary edition of Jacob Collier's debut album, In My Room, released July 1st 2026.

Synopsis

Julian Johns' (a once-formidable instructor) former student Charlotte Levant returns home to face the ghosts of her past. Joining them are John Percy, Julian’s old friend whose sudden arrival stirs long-buried truths; Josephine Chabrol, Charlotte’s protective sister; Vincent, a restless artist caught between love and loyalty, and Jacqueline, a young aspiring dancer whose presence forces everyone to confront the weight of what they’ve left behind. Official Selection Tribeca Film Festival 2026 - World premiere

Synopsis

Spoon finds a coupon. Official Selection Annecy International Animation Festival 2026 - World premiere

Synopsis

Imagine hearing your own body: eyes scratching, blood rushing, bones creaking, your heartbeat pounding endlessly. For most, it’s unthinkable. For Dave, it’s daily life. Since 2000, he has lived with Superior Semicircular Canal Dehiscence Syndrome (SCDS), a rare disorder that turns his body into an echo chamber. This immersive short documentary draws viewers into Dave’s sonic reality through raw narration, stark black-and-white imagery, and an unsettling soundscape. As he recounts years of misdiagnosis and disbelief, the film explores resilience and isolation, ultimately asking why we doubt invisible pain and how empathy begins by truly listening to what we cannot see.

Synopsis

When We Stop Spinning is a short film about love, human connection, healing and loss. An independent drama created for audiences who love thoughtful storytelling and visually driven filmmaking.

Synopsis

Our online environment is increasingly shaped by automation. Politically charged bots are deployed at national scale, influencers and brands inflate metrics to game the algorithm, and AI-generated content spreads instantly and indistinguishably, distorting our social discourse. [OP]erator is an interactive sculpture that stages a functioning bot farm, exposing the hidden infrastructure that manipulates this system. While one might imagine these bots as purely digital, they often still rely on physical hardware controlled by a human conductor. Sophisticated bot farm services operate hundreds or thousands of physical phones in synchronised automation designed to circumvent social platforms' increasingly strict verification systems. In this installation, 100 phones are choreographed through a single master phone, mischievously unlocked for any visitor to orchestrate. The visitor is prompted to share a thought or opinion, which will be automatically amplified and posted by the 100 phones’ X accounts. “OP” refers to the terms “original poster” and "overpowered". For a brief moment, visitors will embody both, becoming digitally omnipotent and creating ripples of disruption in our algorithmic reality. Returning a degree of control to the user, the piece prompts reflection on how visibility, influence, and belief are constructed and manipulated online.

Synopsis

After the death of their ill-tempered and controlling father, middle-aged sisters Constantia (Con) and Josephine (Jug), find themselves at a loss. The story takes place in 1920 and is set within a European townhouse where Constantia and Josephine have always lived with their domineering father. The two sisters' mother died when they were young, and they have spent their lives enslaved to the rhythm and routine of Father’s house. Even in death they fear their father and imagine him springing out of the wardrobe or shouting at them from his grave. Over time, their father’s control diminishes and they find comfort in taking part in peaceful activities in each other’s company. An unexpected visitor also helps them to find the courage to begin their lives anew. A merry, rude, and lyrical, animated adaptation of the modernist short story written by Katherine Mansfield in 1920. In this adaptation the sisters will begin to assert themselves in joyful, unexpected ways that could only be depicted in animation. Official Selection Quinzaine des Cinéastes / Directors' Fortnight Cannes 2026 - World premiere

Synopsis

The alien cosmos of microscopy becomes the setting for a posthumous dialogue: an exploration of the unspoken fallout of the pandemic years.

Synopsis

Inmates under Home Detention Curfew are promised instant parole through a government early-release pilot, if they can prove they’re reformed in group therapy. Strangers trade confessions like currency, bartering trauma, charm, and twisted lies. Dumb crimes spark laughter, serious crimes suck the air out of the room. Empathy and morality are mandatory, but the system isn’t testing remorse - it’s testing performance. In a surreal stage of confessions and manipulation, honesty is demanded, yet the real question lingers: who among this motley crew can convincingly fake redemption? A darkly comic, sharply observed tale where freedom hinges on the art of deception.