Why are we so afraid of the dark that we need to brighten the world around us? Shot at night on the "cult" Red Monochrome with Camerimage Winner DOP Mate Herbai, NIGHT BURNS LIKE CIGARETTES approaches Light Pollution through our intimate relation to darkness, torn between love & fear. An anti-consumerist ballad in the night, it has Lily Cole as a Narrator, and British-Zimbabwean singer and dancer Kwaye.
The eerie story of twin sisters who were entirely silent, communicating only to each other as children. As teenagers, they became obsessed with writing fiction, then with teenage boys, and finally, with crime.
Official Selection Cannes Film Festival 2022 - Un Certain Regard - World premiere
A woman in the 1980s experiences the tragedy of child loss and develops Dissociative Identity Disorder as a coping mechanism. Under the supervision of her unorthodox psychologist, Dr. Cahill, she assumes the identity of the infamous flapper girl Zelda Fitzgerald.
Official Selection Cork International Film Festival 2022
A lonely widow’s home is infested by a mouldy manifestation of her dead daughter’s spirit, but when her son returns from university and realises the severity of her emotional entombment she is forced to confront her festering guilt and choose between the living and the dead.
The close relationship between two sisters is broken down irrevocably, when one insists on keeping up with tradition.
Official Selection Vancouver International Women in Film Festival 2022
1994, Rwanda. As the civil war rages on, Bazigaga takes in a father and his daughter, both hunted by the militia.
BAFTA Film Awards 2023 - Nomination - Best British Short Film
Exploring today’s voyeuristic culture of fear and uncertainty. A woman with extreme anxiety is devoured by four major preoccupations – the man she met by chance on a train, her dying father, her daughter’s safety, and the murder she dreams she has committed.
Official Selection Animafest Zagreb 2022
Official Selection Annecy International Animation Film Festival 2022
Following the sudden death of their long-term and much-too-depended-upon counsellor, a couple in their 50s take a chaotic stab at rebalancing their relationship, while grappling with their own mortality.
To what extent has our intimacy become a commodity? Where is the outsized exaltation of subjectivity leading us? Why do we talk about oversharing intimacy? Does the unlimited circulation of information threaten our intimacy?
Mary Shelley knows her death is imminent. For her last birthday at the seaside she invites Ada Lovelace, daughter of poet Lord Byron, and Ianthe Shelley, orphaned daughter of her husband Percy and his first wife, Harriet. Old wounds re-open and heal again in a testament to feminine solidarity.
