Two friends Mike and Kwesi take a journey to Ghana to seek pastures new. While en-route to complete a lucrative land deal, they encounter an array of issues.
Two twenty-something former best friends Margo and Celeste meet again at a hen party back in Cornwall, but under the waves of disappointment and failure, will the reunion cause them to sink or swim?
This is Part 2 of the My travels short documentary films by Jana Angelova. Exploring the history, architecture and interesting facts about the city of London.
A teenager struggling with self-harm is recommended multiple alternatives by a therapist but each to no avail. The next suggestion? To care for a plant as if it's herself.
Two ex-lovers bump into each other at a train station.
Official Selection Annecy Film Festival 2021 - World premiere
Official Selection SXSW Film Festival 2022
As the sun sets on the banks of the River Severn on the outskirts of an impoverished city in the UK, a group of men gather in a race to catch a vanishing creature, the elusive elver.
Official Selection Sheffield Doc Fest 2021 - UK Competition - World premiere
Seven inhabitants of a de facto state on the Black Sea unfurl a web of stories about loss and displacement through re-imaginings of their dreams and memories of the 1992-93 war in Abkhazia.
Official Selection BFI London Film Festival 2021 - Experimenta - World premiere
A filthy love letter to Essex, like you’ve never seen it before. In a village at the end of the road, teenagers smothered in black mud, run wild through the vast salt marshes in a bizarre tradition hundreds of years old - ‘creek jumping’.
Cotton is a plant with connotations that far surpass its delicate white flowers, bringing to mind issues of enforced labour, of exploitation and of colonialism. Yet the very crop for which Creole women were forced into labour, offered a form of herbal resistance: cotton root bark could be used as birth control. Herbal knowledge carefully gathered and held, was used amongst the women to defy a lineage of servitude. Beneath the inherent violence of the slave economic system, we find quiet resistance and moments of deep, loving rebellion. IF I COULD NAME YOU MYSELF (I WOULD HOLD YOU FOREVER) is in memoriam of this legacy.
Artist Film Commission for HOME, Manchester, March 2021
