WHAT DOES WATER TASTE LIKE? questions the production of identity as it relates to the filmmaker's personal affiliations as a British-Nigerian. Prompted by intimate conversations, the film conjoins footage and voices of the past with their counterparts in the present-tense.
Frank, a travelling vagabond with a donkey has a sudden accident that sends him to the hospital and sets him off on a mission to recall and revisit his former life before he became a homeless man.
Heidi is experiencing strange things. While her granddaughter is visiting, she suddenly embarks on a hiking journey, to the deepest parts of the Alps, revealing the reason for her devoted attachment to her hiking shoes.
A story about Heidi's attempt to retain her identity and autonomy.
Official Selection Cinanima International Animated Film Festival 2022
A short film about the Argentine electroacoustic composer Beatriz Ferreyra, an original pioneer of early musique concrète alongside Pierre Schaeffer during the ‘50s and ‘60s. Here she discusses her ‘sound hunting’ recording techniques, and other thoughts on sound montage and spatialization. Featuring creaking doors, barking dogs and rainbow hands.
Official Selection International Film Festival Rotterdam (IFFR) 2020
When Patrick is called to care for his ex wife, whose Pick’s disease has advanced beyond the care available to her, the last thing he expects is what he finds; and what they will share.
a ROLE to PLAY brings together the lived experiences and dreams of Bolsover residents, one of the most deprived towns in the middle of England. The film tells stories of the impact of economic changes in a post-industrial Derbyshire constituency where coal was once king.
A man in a room, in a film – it is the becoming of something and simultaneously becoming in itself. Nothing is as solid as we believe.
The film explores our perception of time, bodies and objects, and our inability to comprehend the full motion of things.
A dark tale of a game that cannot be sustained. Set over the course of an evening, a mother remembers moments from a game she played with her son throughout his childhood. Tragedy strikes when he unexpectedly returns.
As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realised far before its time.
Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered. Courtesy of a rare-record collector in Japan, a reissue of Keyboard Fantasies and subsequent plays by Four Tet, Caribou and more, the music had finally found its audience two generations down the line.
'Keyboard Fantasies: The Beverly Glenn-Copeland Story' tells the time-travelling tale of this mystical musician and vocalist, as the present finally catches up with him and he embarks on his first international tour at the age of 74.
Capturing five decades of relentless musical output and shifting manifestations of gender and sexual identity, set against a backdrop of profound social change, the film celebrates the unpredictable rhythms of life.
A lullaby to soothe those souls struggling to find their place in the world.
