During a sleepover, four space obsessed 9-year-old girls embark on a secret mission in their cardboard rocket. When dad returns home, what will become of their mission?
Qi’an, a Chinese student begins work as a film translator at a secluded English mansion. Working with her best friend, she discovers gruesome family secrets and uncovers the truth behind the tragic life of Kunqu opera star, Susu.
Pili lives in rural Tanzania, working in the fields for less than $1 a day to feed her two children and struggling to manage her HIV-positive status in secret.
When she is offered the chance to rent a sought-after market-stall, Pili is desperate to have it. But with only two days to get the deposit together, Pili is forced to make increasingly difficult decisions with ever-deepening consequences. How much will she risk to change her life?
This film is a unique collaboration between the film-makers and women in the film. The story is based on their stories, the cast features only one trained actor, 70% of the cast are HIV+, and all locations such as the AIDS clinics are real.
A Danish woman who is deaf and blind travels to Nepal to meet a woman with her same condition. A story about the beauty and complexity of communication, exploring the boundaries between how we interpret the world and how we perceive ourselves.
13 year old Aamir has fled his home and been separated from his family only to be stranded alone in the largest unofficial refugee camp in Europe. When he is befriended by Katlyn, a well meaning but thinly stretched British volunteer, she becomes Aamir's last hope for salvation.
Official Selection BFI London Film Festival 2017 - Debate Strand
Urges in the undergrowth, erupting fungal fantasies, bursting botanicals; the dust and desires of a tiny alternative universe.
Imagining sensations of attraction and pleasure in insects, and the seduction methods of the plants and fungi that beckon.
Dina lives in a remote village high in the Georgian mountains where traditions have remained the same for centuries. Her marriage has been arranged but when handsome Gegi returns from war, she falls in love with him and they elope. Four years later Dina is estranged from her family but lives happily with Geigi and their child. Then Gigi is tragically killed. In traditional Svaneti culture a widow must marry the first man who asks for her hand, so when Girshel proposes, Dina is forced to leave her home and little boy behind forever. However, when Moses falls deathly ill, Girshel fights through the treacherous winter snow to get the life saving medicine. In the end Dina’s, along with Girshel, defies years of tradition and takes her child with her back to Ushguli.
“My humble model for progress is the reclamation of land. Which is repeatedly, never-ending retrieving what is lost.” (Graham Swift, Waterland)
This film piece responds to the environment of the Fens, exploring an artificial landscape that exists only because of human intervention. Filmed over one day, it records bridges over a dike which carries water away from farmland to the river the Great Ouse.
Official Selection Oberhausen Short Film Festival 2018 - International Competition
25-year-old Natia goes back to Georgia, to see her grandma, Natela, after her grandad’s death two months before. Natia sparks a story, which unravels an intense internal conflict that portrays and characterises the situation and traditions in some regions of Georgia.
