New Year's Eve, 1999: A strange heatwave has swept across the city. A ravenous man who hasn't eaten for days covers the deserted streets in search of food. Meanwhile, in another part of town a fallen angel, lost and homeless, wanders mindlessly in and out of the city lights.
A surreal short film set in the ruins of London, driven by a contemporary music-hall libretto. The film contrasts the beautiful and grotesque in a narrative focusing on the universal question - are our lives driven by destiny or chance?
This powerful short narrative embodies key aspects of the classic Gothic tale, with echoes of Du Maurier's Trilby and Le Fanu's dark stories.
The mystery of the 'true' nightmare of the narrative is left to the viewer to decide.
Set on a militant horticultural nursery, Guilty By Nature follows the life cycle of a wild and vigorous shrub; exploring ideas of individuality and persecution. The film is shot with extreme close-ups, varied frame rates and an exaggerated soundscape.
Based on Mario Petrucci's award-winning book-length poem for Chernobyl, Half Life tells the story of the people who dealt with the world's worst nuclear disaster at ground level: the fire-fighters, the soldiers, the 'liquidators' and their families.
Hamlet is a ghost story - so why has nobody ever told it as one?
In Fodor's Hamlet emphasis is put on the nightmarish ether of the play, setting it in a surrealistic no-man's land.
Rather than following traditional, schoolbook definitions of characters, these are ripped apart. So, for example, the traditionally weak Ophelia, is now dominated by her elder sister Polonia (normally a male comic role) who supplies her with addictive drugs to cement that control. Hamlet's father, The Ghost (normally an heroic victim) is now a vicious psychopath, manipulating his own son to gain brutal vengeance on his murderer, Claudius.
And yet not a single line is added or changed, the difference is how they are delivered - naturalistically with the emphasis on making sure an audience who may never even have heard a single line of Shakespeare accept it as though it is merely an alternative accent of English.
Haven is an afterlife love story between two jaded spirits. A young man is dragged along a bridge by two men and thrown over the side. His name is Tom and the dark afterlife he awakes in will never be the same. Tom meets a beautiful but haunted young woman. Together they attempt to overcome the past in a place built out of secrets.
Haven incorporates black box performance with innovative camera work and animation. Lino-cuts and prints by artist Trevor Haddrell create the architecture of the afterlife. Memories from life back in the world are shown through the eyes of the characters using a specially designed camera apparatus. The film boasts a gripping original soundtrack by the post-industrial band Mindless Faith.
Amy is sick with a disease that keeps her in hospital isolation. While on his daily cigarette break, a janitor spots her. The two end up forming a tenuous friendship, one which occurs from different sides of the glass and only ever last as long as it takes for Ben's cigarette to burn down.
A film about people who own (and love) the robot dogs called Aibo. The first consumer focus artficially intelligent product designed to create love bonds with owners. As the Aibo is an imitation of life, so our film mixes real owners with a fictional character playing improvised scenes based on research.
I'm not 40 yet but I'm forward-thinking. A special collaboration between the director, aged 12 years, and his 34 year old self, both looking forward to a glorious future as a 40 year old conservation hero and Lamborghini owner. Made with six years to go!
Performer is an experimental short film made in an unique stylized way.
A man runs through a forest. Another figure runs in the distance. They chase each other through a series of environments and through ever increasing obstacles. Finally they face each other head-to-head.
