Dead. Tissue. Love. is an intimate experimental documentary exploring the character of a female necrophile, as she recounts her life experiences and sexual awakening.
A 360 experience (for 2 people) which explores the power of human connection.
Put aside your inhibitions and let strangers guide you through their impromptu, unconventional and intense moments of intimacy.
‘Moulding Exclusivities’ anatomises a series of sculptures utilising the remnants of prosthetic manufacture. The camera renders plastic leftovers from the fabrication of wearable braces for spinal adjustment. Arens surveys with part-organic part-animated movement the disservice of standardised office and living environments for the human body.
Official Selection Rotterdam International Film Festival 2018 - International premiere
People from all over the world search the banks of the Thames at low tide. Why do they search and what do they find? From the priceless to the macabre the Thames Foreshore washes up every kind of lost item and strange story to be told.
Shot in a creaky, wooden floored Parisian recording studio at an inaugural three-day “forum of ideas” focusing on the manifold possibilities of Resistance (the title of Jean-François Lyotard’s unrealized follow-up exhibition to his 1983 Les Immateriaux), occasional collaborators Ben Rivers and Ben Russell have produced what initially appears to be a structuralist document of a philosophical discussion in-the-round. This “appearance dimension” is deceptive, of course, and with the aid of an immersive 5.1 sound-mix, a Green Man, a Green-Man-shaped-Infinite-Void, a dose of kinetic digital magic (courtesy of US-based artist Peter Burr) and an impressive cast of thinkers, critics, curators and artists, a document of Resistance slowly transforms into 'The Rare Event' – a portal that joins all dimensions into one.
Official Selection Berlinale 2018 - Forum Expanded - World premiere
Parallel stories connected through an intimacy with death. The living and the dead communicate through visions, memories and reality.
What happens to the ones we love after their death? Can we keep them alive through our memories or perhaps by placing them in an imaginary afterlife? This film explores the parallel life that we can dream of but cannot touch.
Seven people wander through memory and dream looking for the ones they loved and lost. Between the dreamscape and landscape, the dead and alive are finally allowed to communicate, because they can feel and hear each other.
A psycho-geographic film essay, documenting the ethnographic tendencies of the industrial landscape and its malevolent stature over the individual. The shipping industry’s ever-shifting landscape, affecting even this interaction you are having with this text, crafts its own mythology.
Her body flickers in an attic. A triangle, align; she is flung in a poltergeist semaphore. At once woman, creature and form, she dances anticipation. A whisper, ‘he’s coming home.’
A film of stone and light – just stone and light.
"Elegy is a form of poetry natural to the reflective mind. Sorrow and love became the principal themes of the elegy. Elegy presents everything as lost and gone or absent and future." (Samuel Taylor Coleridge)
Revisiting the audition process for the character of Kanchi in Powell and Pressburger’s 1947 'Black Narcissus'. The coveted role went to actor Jean Simmons.
By auditioning only Indian ex-pat or first-generation British Asian women and non-binary individuals, filmmaker Michelle Williams Gamaker re-casts a Kanchi for the 21st Century, who crucially speaks.
A book and audio experience that uses a mixture of evocative music, narration and field recording to bring stories of changing environments, from the swamplands of Louisiana, to empty Latvian villages and the edge of the Tunisian Sahara.
