When an enigmatic young woman arrives in a remote English village the locals are both intrigued and wary. Their suspicions grow as the woman begins delving into their darkest secrets.
While on their first romantic holiday in the remote countryside with Anwar, Kat wakes up to her worst nightmare - her monster period is coming. Amidst the creeping dread and escalating tension, the couple's bond is tested.
Didi moves into an unkempt house in the British city of Stoke-on-Trent. Whilst feeling ill at ease in this unfamiliar environment, she comes across a curious statue in the garden. This enchanting object helps Didi to appreciate the heritage of her new neighbourhood through an unexpected journey back in time.
1973. Married couple, Daphne and Darcy Davenport, are two musicians who moved from London to a cottage in Wales to complete their new album. Here, a strange child enters their lives. By accident they record a mystical sound never heard before and gradually disconnect from reality.
Official Selection Sundance Film Festival 2025 - World premiere
Struggling to process the sudden and unexpected death of his wife, a young father’s hold on reality crumbles as a seemingly malign presence begins to stalk him from the shadowy recesses of the apartment he shares with his two young sons. What begins as a terrifying haunting, evolves into a battle of wills between a grieving family and their uninvited, unpredictable house-guest and tormentor; a man-like Crow, seemingly brought to life from the pages of Dad’s work as an illustrator.
Based on the award-winning novel 'Grief Is the Thing With Feathers' by Max Porter.
Official Selection Sundance Film Festival 2025 - World premiere
Aiden, a widowed robotics expert channels the grief of losing his ten year-old son into creating ‘Robin’, a fully functioning robotic doll. It finally seems he has found someone to keep him company in his lofty mansion.
Aiden’s estranged nephew and his fiancé unexpectedly return to the manor hoping to patch up the family's rocky past before their big day. The loved-up pair are instantly creeped out by the lonely man’s staggeringly realistic creation.
A series of terrifying events leave the young couple suspecting there's a more sinister side to Robin that even Aiden is aware of.
Dublin 1985. Teenager Billy is cultivating an obsession: he’s tracking down VHS tapes of films branded 'Video Nasties' – The video nasty ruckus was fuelled in the early days of home video by conservative activist Mary Whitehouse, concerned about the harmful influence of certain horror films deemed 'extreme'.
Official Selection Rotterdam International Film Festival (IFFR) 2025
Following Andy, a charismatic but chaotic queer, as he recounts his most recent and outrageous hookup story to his best friend. Tempted by a provocative picture, Andy's encounter with a mysterious and sexy stranger leads to some...out of this world consequences...
Investigators visit the site of a strange disappearance – a solitary birdwatching hut deep in the forest. Situated in Cornwall and drawing upon the county’s natural environment, seafaring tradition, Celtic history, and Cornish language – this film takes its themes from a time when the world seemed much larger, mysterious, and frightening, drawing parallels with the fears and xenophobia of the contemporary moment.
Flesh as film, and film as flesh... An amateur archaeologist arrives on a desolate peatland in Lancashire, their mind filled with the strange power that peat-bog waters hold to preserve organic matter. They have come to excavate the peatland. They have come to exhume a body. But, in digging into the peat — and into the past — they unearth much more than mere relics. The peat holds forgotten histories, uneasy truths, and vast stores of climate-change-accelerating carbon. Reflecting the attempt to document and preserve this landscape via the moving image, the film becomes both a lament and a call to action for local peat-bog restoration and protection. A queer eco-horror which reflects on what it means to bury, to archive, to capture, to unearth. Shot in collaboration with the Lancashire Wildlife Trust, the film becomes both a lament and call to action for local peat-bog conservation.
In a world where everyone has a partner, a woman from the secluded society of rejected singles, known as the Leftovers, takes a bold leap of faith on a revolutionary new dating app, risking everything for one last chance at love.
