The isolated mountainous region of Tusheti, in Northeast Georgia, is the site for a reflection on the importance of ritual, the maintenance of community ties, and how modernisation and migration are transforming rural landscapes. Shot over several years, Let Us Flow uses inovative audio-visual techniques to make visible the symbolic and physical division of sacred spaces within the community and offers a nuanced perspective on a culture where ancestral shrines are only accessible to men.
In a verdant mountainous region of Georgia, tradition and modernity intertwine. Carrying on the traditions of their ancestors, the men in the film race on horseback down mountains and across wide, expansive valleys in a performance of masculinity. The filmmaker states, “As the film progresses it becomes a film about distance: the twenty meter distance the Tushetian women have to observe from their shrines, the distance between me and my protagonists, between languages and translation.” Medoidze is never seen in front of the camera, made visible only through her voice. Yet even with this distance between her and her subjects the film, as shot from her perspective, makes for a truly immersive piece of observational filmmaking.
As Yuvel Noah stated in a ‘brief history of humankind’ ’ Unlike any other species on the planet, Human beings have created a whole system made up of just imaginary ideas.’ The question is have we used them wisely?
An immersive audio-driven film that asks you to listen. Why is it that BPoC communities in the UK do not feel like they belong in the outdoors?
The film is based on audio interviews taken from a group of BPoC women outdoor activists who are changing the story.
When a disabled, unemployed mechanic is prejudicially denied the chance of applying for a job he’s best fit for, we’re taken on a musical journey of 80's Disco & Ballroom, through his anger and frustration (alongside his disabled peers) calling for access and change.
The colonial project produced billions of images of ‘exotic’ women and distributed them worldwide. This collage-film poses the question whether these images can be seen from new perspectives to reveal not only their violent and constructed nature, but also the presence of the invisible image-maker.
In the Welsh Valleys, teenage best friends Len and Bambi are excited to meet a boy they fancy. He takes them to a party at his older friend's house and the night quickly takes a turn for the worse when Len is assaulted by the older man.
A system of stencils or "mattes" act as the films visual and spatial script.
The images which are pushed through the mattes fluctuating grid system, were documented over the course of a 12 hour day. Through this puzzle, relationships form and new roots emerge. Matte study was edited "in camera".
At a Catholic Confirmation camp, 16-year-old Orla‘s burgeoning sexuality sees her caught between the Madonna-Whore dichotomy, until a chance encounter with an anarchic 16th Century Saint helps her to see the light. A taboo-busting comedy-drama about slut-shaming, Catholic guilt and female pleasure.
