A dark comedy-drama, that follows the story of Arifa a British-Pakistani woman who reaches a crisis in her life when the escalation of her feelings for intriguing but evasive ‘professional gamer’ Riccardo, coincides with the reappearance of her estranged father, Hameed.
A story about an extraordinary group of people who go to incredible lengths to save the planet’s last animals. The documentary follows the conservationists, scientists and activists battling poachers and transnational trafficking syndicates to protect elephants and rhinos from extinction. From Africa's front lines to behind the scenes of Asian markets, the film takes an intense look the global response to this slaughter and the desperate measures to genetically rescue the Northern White rhinos who are on the edge of extinction.
Official Selection Tribeca Film Festival 2017 - Viewpoints - World premiere
A black and white poetic journey into the legacy of Derek Jarman's life and the eerie landscape and nature of Dungeness, Kent, England. Project shot in 2010 and elaborated in the following years, with completion in 2017.
A film created from the treasure trove of BFI archive. The story traverses a century of gay experiences, encompassing persecution and prosecution, injustice, love and desire, identity, secrets, forbidden encounters, sexual liberation and pride. The soundtrack weaves the lyrics and music of John Grant and Hercules & Love Affair with the images and guides us intimately into the relationships, desires, fears and expressions of gay men and women in the 20th century- a century of incredible change.
Starting with the first gay relationship on film released in 1919, 'Different From the Others', this documentary offers a wealth of unknown newsreel and amateur film from the 20s and 30s, the sub textual references in 40s cinema, the arrests and prosecutions of gay men for ‘gross indecency’ in the 50s, the early gay rights marches and decriminalisation of the 60s and 70s, the campaigns for an equal age of consent and against section 28, the Pride movement and AIDS crisis in the 80s and 90s, the sexual liberation of the 00s queer and transgender scene and the chemsex, gay parenting and marriage campaign of recent years.
Official Selection Sheffield Doc/Fest 2017 - World premiere
A meditation on a lost era and the regenerative power of the sea, this project grew out of the haunting photographs of Sirkka-Liisa Konttinen’s photography project 'The Coal Coast'. Following in the footsteps of Agnès Varda, the scattered clues of England’s post-industrial northern coastline lead to the vivid re-enacting of the death of a young coal miner Billy, by his workmate.
The story inspired the New York-based percussion group So Percussion, who together with Amber created the film’s cathartic music.
Carne Ross was a government high flyer. A career diplomat who believed in Western Democracy. But working inside the system he came to see its failures, deceits and ulterior motives. He felt at first hand the corruption of power. After the Iraq war Carne became disillusioned, quit his job and started searching for answers.
This film traces his journey across the globe as he tries to answer the question so many people today are asking themselves – isn’t there a better way?
For Carne there is. Anarchism offers a solution to the brutalities of Capitalism and the dishonesties of Democracy. It offers a world where people have control over their own lives. From the protesters of Occupy Wall Street, to an anarchist collective in Spain, to Noam Chomsky, the grand old man of anarchism himself, Carne finds people who are putting the theory into practice. His journey eventually takes him to one of the most dangerous places on earth: Syria, eight kilometers from the front line with Isis, where a remarkable anarchist state has risen phoenix like from the flames.
A powerful film about one man’s epic journey from government insider to anarchist.
11-year-old Ben can’t really remember his dad. After all, he was only a baby when he lost him in the New York Twin Towers attacks.
Now ten years later, with his mum finding things hard to manage at home, he’s sent away for one long, hot summer, to stay with his grandparents.
A new kid in a new town, Ben quickly makes firm friends with Priti (11), the super-smart, know-it-all, motor-mouth next door. Then his sulky 12 year old cousin, Jed, turns up.
Together, the three young heroes start to believe they are on the brink of cracking a major terrorist plot, with Priti’s own devout Muslim older brother the target of their rising suspicions. Soon, what looked like a boring holiday turns into an adventure none of them will never forget.
A heart-warming, timely film for the whole family, all about the power of friendship, love and the amazing things that can happen when communities work together for a better understanding.
Adapted from Catherine Bruton’s much loved children’s book.
In the future, prisons will be overrun. Authorities will provide access to the jails via online portals. Advertisers will fund the jails and subscribers, able to access any felon day or night, will sign up in their millions. This is the story of one escaped prisoner who - on discovering he's the world's most downloaded felon - will stop at nothing to win back his anonymity.
Seventeen-year-old Ying Ling is away from home training to become a mortician at one of China’s largest funeral homes. Despite her fear of ghosts and dead bodies, she learns the spa rituals; cleaning and massaging the corpses while the grieving families look on.
Ying Ling finds solace from her macabre role through her playful banter with another of the young morticians. Together, they spend their time off talking about their hopes, fears and plans for the future.
As one of many rural-to-urban teenagers working to support her family, Ying Ling must immerse herself in the surreal and grinding world of China’s industrialisation of mortality. With intimate access and moments of humour, we follow Ying Ling as she learns about life while surrounded by death.
Official Selection Berlinale 2017 - Generation 14plus - World premiere
A study of the transformation of asbestos extraction from the earth to extraction from the walls. In this piece the artists ask how both filming and the use of found footage can be thought of as forms of extraction: extracting images from forms and from contexts.
Mined, extracted, and woven, asbestos was the magic mineral. Towns became cities under its patronage, Persian kings entertained guests with its fireproof nature, and centuries of industry raked in the profits of its global application. We now live in the remains of this toxic dream, a dream that with the invention of electron microscopes revealed our material history as a disaster in waiting. Yet the asbestos industry has far from left us, with extraction from the soil transforming to extraction from our walls. We are now faced with two options: to remove this material from our homes and start anew, or to build upon its residue. Removal is a dangerous and costly operation. So often we choose to live amongst it instead, choking out our walls with plastic tarping: the failed promises of modernism literally entombed all around us.
Shot in the mining township of Asbestos, Quebec, home to the world’s largest asbestos mine, that only stopped extraction in 2012, the film is a meditation on the entanglement of the fragility of bodies, the nonlinearity of progress, and the persistence of matter. (Sasha Litvintseva and Graeme Arnfield)
Official Selection Berlinale 2017 - Forum Expanded
