Can a dog still be man’s best friend if that man is the Führer? Blondi explores the bizarre bond between Hitler and his beloved German Shepherd. From eating the crumbs under the table at the Führer’s birthday, to living in the confinement of the bunker, this film presents intimate glimpses of the dog’s daily life intertwined with the realities of war and fictitious, humorous newsreels, depicting the oblivious pet's significant and surreal impact on the Reich.
Official Selection Edinburgh International Film Festival 2025
Official Selection Fantastic Fest 2025
BAFTA Film Awards 2026 - Longlisted - Best British Short Film
Told in Graham Humphreys' own words and through a series of intimate conversations, this film explores the life and legacy of the UK's most iconic horror illustrator. From a childhood marked by a haunting Ladybird skeleton to the gouache-drenched goth era of EVIL DEAD and NIGHTMARE ON ELM STREET, Humphreys reflects on a career that has defined horror for generations. Featuring discussions with Reece Shearsmith, Andy Nyman, Madeline Smith, Alan Jones, and more, the film charts a vivid timeline through banned video sleeves, goth clubs, iconic posters, and the rediscovery of a lost original.
A group of facilitators, apprentices, volunteers, people living with dementia, and their supporters gather in a community hall. Together, they revisit memories of food, discovering how the past can affect the present.
A poetic memoir and political report, shot in Berlin and Leipzig, and in landscapes around the British Isles. The film’s narrative builds out from the events of the Reichstag Fire in Berlin in 1933 in which the pioneering German-Jewish sound recordist, Ludwig Koch, on whom the film ultimately centres, plays a minor role, placing him and his family in danger. The film is structured in two parts, juxtaposing Koch’s persecution in Nazi Germany with his experiences as a refugee recording bird song and other sounds in Britain.
The film’s images of contemporary urban and rural terrains, and of objects and documents, create a collision between past and present. Shifts in time are further emphasised through the use of Koch’s original sound recordings from Germany and Britain which feature throughout the film.
Official Selection FID Marseille 2025 - International Competition
A personal and transformative story of Louise, an ex-dancer who transitioned in the 1980s. A former member of a dance group called Pyramid Dancers, Louise was part of the legendary London club scene during its most iconic era of the 80s and 90s. Through rare archival footage and Super8mm film, the documentary transports us back to those electric nights, offering an intimate look at how those years shaped Louise's identity and how her love for dance fuelled her journey towards self-acceptance and authenticity.
Official Selection BFI London Film Festival 2025
Driven by a recurring urge to encounter strangers with her camera, the filmmaker begins to film her solitary Greek Cypriot neighbour Pete in the tower block in London where they both live. Around the same time, her father in Denmark receives a cancer diagnosis requiring her to spend more time with him. As her father gradually slips back into the depression that made him absent when she was a teenager, she feels a need to document this transition. Her compulsion to enter into Pete’s life and to film him echoes with her desire for understanding her father’s experience of isolation and loneliness, as well as her own relationship to it.
ALL THESE SUMMERS asks questions about responsibility in life and in film whilst intimately confronting the complexities of the daughter-father and filmmaker-subject relationship.
Official Selection CPH DOX 2025
In Chinese, ‘golden-age’ and ‘mirage’ share the same sound. On the 2024 Winter Solstice in Yiwu, China’s largest trading hub, single mother Yu considers closing her accessory shop and returning to her old opera job amid the 2024 economic decoupling. It’s a story of my mum, one day of her life.
Official Selection Premiers Plans Film Festival Angers 2026
The documentary follows Freddie Hunt, the son of legendary F1 champion James Hunt, as he navigates life away from racing on an isolated farm in Scotland's Isle of Bute. Raised without his father, Freddie faced a tough childhood, finding solace in polo before eventually pursuing motorsport. Despite showing natural talent, the pressures of his father’s legacy overwhelmed him, leading him to quit racing and seek a simpler life. The film explores Freddie’s emotional journey, his decision to embrace sustainable living, and his complex relationship with his father's fame, revealing his personal story through intimate interviews and stunning visuals of the Scottish landscape.
An unpleasant return to Das Institut für den reinen Tor, Menschheim, Germany, for a forgetful investigation into memory.
Restarring: Dr Forschung (incarcerated); Prof Suchen (in pseudonym); Fernando Pessoa (in 5 personas);
James Joyce (in multi-Finnegans).
"I have more than just one soul.
There are more I's than I myself.
I exist, nevertheless"
Alberto Caeiro
"I'm not who I have in memory
Nor who is in me now."
Fernando Pessoa
A group of facilitators, apprentices, volunteers, people living with dementia, and their supporters gather in a community hall. Together, they re-enact a wedding, discovering how the past can affect the present.
Das Institut für den reinen Tor, Menschheim, Germany, takes you “searching, exploring, constructing, deconstructing, reconstructing, post-construction, under-construction, over-destruction, counting, measuring etc.” - with Dr Forschung (dismissed); Prof Suchen (in pseudonym); Fernando Pessoa (in 5 personas); James Joyce (in his multi-Finnegans) .
"It was life but was it fair?
It was free but was it art?"
James Joyce
"Because I am the size of what I see
And not the size of my height... "
Alberto Caeiro
"I am nothing.
Never shall be anything.
Cannot want to be anything.
This apart, I have in me all the dreams of the world."
Álvaro de Campos
