1975. Jay, an eighteen year old who appears ordinary but harbours a dangerous, uncontrollable compulsion. By night, he prowls quiet suburban neighbourhoods, driven by urges he neither fully understands nor can suppress. What begins as trespassing and voyeurism slowly escalates into a disturbing pattern of crimes that terrorise the community.
Raised in isolation with a distant military father and an overwhelmed mother, Jay’s neglected childhood fuels his deviance. As a teenager, his thrill-seeking manifests in strange burglaries - not for theft, but for control. Soon, reports of sexual assaults surface, signalling that Jay has crossed a point of no return.
Detectives Shoore and Remming lead the hunt for the elusive “Marcavillian Hunter,” but Jay adapts quickly, evading capture despite near-misses and a chance encounter that goes unnoticed. Hoping to escape his impulses, Jay joins the military - only to return more dangerous than before. His crimes culminate in a calculated provocation and a tragic confrontation that leaves the case unresolved.
Decades later, Jay lives free, convinced he has outrun his past. But unseen eyes still watch.
A chilling psychological crime drama about obsession, evasion, and the banality of evil.
Now AGAIN is the first filmic interpretation of Marcel Proust's entire novel 'À la recherche du temps perdu'.
Part One encompasses the volumes SWANN'S WAY and WITHIN A BUDDING GROVE.
Now AGAIN is the first filmic interpretation of Marcel Proust's entire novel 'À la recherche du temps perdu'.
Part Two encompasses the volumes of THE GUERMANTES WAY.
The first filmic interpretation of Proust's entire novel, Philpott stretches narrative form into rich and varied experimental territories, providing a visual feastand sonic immersion, using AI and unique digital production techniques, to reveal the vast panoramic structure of Proust's great masterwork and provide a 21st century foundation for this timeless 20th century epic.
A new form of story-telling for a modern age.
Closer to documentary invention, rejecting costume drama.
Closer to art than stage.
Writing in pictures and music.
Liz and Philip live a life in a middle-class bubble. But everything is about to change when the couple's routine tennis match is interrupted by the unexpected arrival of Jack and Billie - two local youths.
SIGHTNOTSEEING captures a cultural tour in post-colonial Kowloon, around the remnants of the Walled City, but not the kind of tour you'd expect. Filmed in a single overhead long take, it drifts through performance, misunderstanding, and (post-)truth, held together by confusion and just enough confidence to carry on.
Official Selection International Film Festival Rotterdam 2026 - World premiere
Chantel, a young woman of Romani-Gypsy heritage conceals her ethnicity to avoid workplace discrimination, but after losing her job, she confronts her identity while navigating the challenges of finding new employment and facing the prejudices of those around her.
The arrival of a mysterious stranger at an old allotment on the fringes of London triggers a chain of strange events and uncanny rituals that upend the lives of its tightly knit community.
Aiden Salter, a reclusive nature writer with a debilitating personality disorder, spends his days sealed inside his council-block bedsit, obsessively watching the allotment community below — the only family he has.
Down on the plots, canalboat dwellers Alvie, Rayna, Shay and David cling to each other on the forgotten edge of London’s Lea Valley. Each night, a shared terror gnaws at them, haunting dreams that blur the line between sleep and something far darker.
When Aiden finally steps into their world, the allotment is already under threat: a vanished Ukrainian boy, a plot-holder’s horrific suicide and police preparing to shutter the gardens within days. All signs begin to point toward Aiden…and to Elsie Bierce, a notorious American occult publisher drawn to the site like a moth to flame.
As ‘Ourhaven’, branded “Sourhaven” by local tabloids, faces closure, it also readies to unearth it’s most diabolical secret.
In the midst of a city woodland, 16-year-old Iris explores her attraction to an older man. Their passion turns into a dangerous power play when Iris must indulge his cravings with a humiliating performance.
Official Selection London Short Film Festival 2026
Told through the eyes of a journalist digging too deep - exposing a ruthless criminal empire where missing men, police informants, and shifting loyalties make survival a dangerous game.
Widower Kenneth works in the Arberloch visitors centre as a tour guide, dressing up as the town’s most notable historical figure, Sir Douglas Weatherford, an 18th century philosopher and inventor, who Kenneth proudly claims as his ancestor. When the village becomes the base of a big-budget fantasy TV show, the show’s costumed fans descend on the town, leading Kenneth’s sanity to start to crumble as obsession takes hold.
Official Selection International Film Festival Rotterdam 2026 - World premiere
Official Selection Göteborg Film Festival 2026
A filmmaker investigates who tried f*cking up her friends' lives a decade ago.
It's 2015 in the quiet suburbs of London, and some anonymous loser attempts to frame a group of teens for smoking weed at school. Luckily, one of the group has now become a promising emerging documentary director ( me :D ), and will stop at nothing to find answers in this short comedy-drama-tragedy documentary, The Following People DO NOT Smoke Weed.
Executive produced by Julie Cohen (RBG), Tim Wardle (3 Identical Strangers) and Susan Simnett (Brides), this is a coming-of-age fable that brings to life the skewed priorities, conspiracies and dubious confrontations with power that define our youth...
A personal meditation on the intimate ways our lives are shaped by ongoing colonial histories, how we make sense of this knowing and finding joy.
Official Selection CPH:DOX 2026
Centered around the filmmakers’ local park, this film is a celebration of London and the resilience of migrant communities that have shaped the city from its beginnings. It’s about the British Empire Exhibition of 1924-25 and a line which stretches all the way from then to today. It’s about Palestine, which sits along this colonial continuum, and a park full of dancing, BBQs, birthday parties and joy. Through a hybrid form that combines documentary, archival footage, and direct animation this film meditates on the colonial remnants lodged in our lives and asks what it means to celebrate, play, and belong amid the rubble of empire.
Official Selection CPH:DOX 2026
