A love story, set in and around a beautiful old cinema on the South Coast of England in the 1980s.
Official Selection Telluride Film Festival 2022 - World premiere
FLOWERS is an afro-futuristic fairytale of love, following a ceremony of a mother giving away her son, Adopting references to classic Disney stories from the 1930s-50s, modernising tropes for a coming of age tale, the film reimagines what a black fairy-tale would look and feel like.
Anamika Fields is the daughter of an Englishman and an Indian woman. Her mother, Sadhana Tripathi, left behind a career as a Hindustani classical vocalist of great promise to marry her father and move to the UK. Her father died when Anamika was ten, leaving Sadhana, who never wanted to be a parent, who never wanted to live in England, to bring up her only daughter.
Twenty-five years later, Sadhana is suffering from the onset of dementia, a situation exacerbated by Sadhana’s reluctance to leave the house she has worked so hard for, Ana’s own precarious financial and professional circumstances, and the cost of specialised care.
Mother and daughter, strangers for over a decade, find themselves thrown together once again after all this time. This has always been a difficult, damaging relationship. Some of it was a by-product of their circumstance. And some of it was absolutely deliberate.
Anamika is forced to become several things, all at once: she is daughter and mother, care-giver and secretary and detective, shield and scalpel. Around her, in the neighbourhood she escaped, Anamika begins to discover a woman she never knew at home, alive in memory, in anecdote, in music she doesn’t understand.
Charles is attacked and stabbed, leaving him traumatised. Journeying home, he runs into a friend, but his shame of being a victim stops him from reaching out. Finally, Charles makes it safely back home, to the one person he knows will not judge. But Mum isn’t answering the door...
How does it feel to be free? Best friends Kay and Jenna are reuniting after being separated by prison. But reigniting what they had before isn't straightforward.
A film which attempts to navigate bereavement following suicide. Through animation, archival footage, and sound, director Miranda Peyton Jones guides us to the heart of her grief, love and loss. The voices of her family and her father’s music underscore this deeply personal, powerful, and poignant film.
Royal Television Society Awards 2022 - Winner - Best Documentary
Official Selection British Documentary Film Festival 2023
Official Selection British Animation Awards 2024
An adaptation of D.H. Lawrence's novel about a woman who breaks with the forms and traditions of her time when she falls out of love with her husband and begins a torrid affair with a man who works on their English estate.
World premiere Telluride Film Festival 2022
Winning a war is not easy. LANCASTER tells the story of the iconic WW2 bomber, through the words of the last surviving veterans.
Starting with 'The Blitz' we follow our 38 contributors as they join-up, learn to fly and go to war. With the enemy strong and RAF Bomber Command badly equipped, losses were high. But eventually, the tide turned with the introduction of the 'Lanc'.
Designed to take the war to the enemy - and to win it – the Lancaster was both loved and feared. From the firestorms of Hamburg, through the famous Dambuster raids and the still-controversial bombing of Dresden, emotional testimonies tell of courage, fear, friendship and moral ambiguity.
For there was a deadly price to be paid in the lethal night skies over Germany - 55,000 aircrew and 600,000 civilians were killed. Such was the cost of defeating the Nazis and restoring peace to Europe.
Joy and Harry are trying to have a baby. One night, Joy swallows a spider in her sleep. When Joy subsequently develops an insatiable appetite for flies, it dawns on her that there may be more than one way of becoming a mother.
Simmy, a modern Punjabi bride has had an arranged marriage. When her new husband, Raj does a runner after the ceremony, Simmy has no choice but to preserve family honour and start a life without her husband in bleak Britain.
As Simmy tries to understand this new world, Harry, Raj’s wayward younger brother turns up from prison for home detention. Harry, condescending towards his new sister-in-law refuses to play by the rules. Both are imprisoned in the old house with Simmy having difficulty speaking English and Harry refusing to speak Punjabi.
Despite her efforts, nothing seems to unite this dysfunctional family, so Simmy unhappily writes a letter home. When Simmy’s distant relatives turnup, Simmy makes a bargain with her mother-in-law: in return for keeping up appearances, Simmy’s passport is returned and she starts nursing training.
An innocent love story unfolds crossing the boundaries of culture and language. As the search for Raj intensifies, Harry breaks curfew and takes Simmy on a romantic trip. Just as Harry finds the courage to tell Simmy how he feels, Raj returns to uphold his wedding vows. Must Simmy be the forgiving Indian wife that her community expects her to be and accept him?
