A bold and colourful comedy set in both a courtroom and the imagination of a delightfully oddball hero, Anne. Anne appears as an introverted courtroom illustrator whose difficulty in expressing herself stems from her imaginary mother’s constant criticism. However, when a dashing convict named Simon walks into the room we get a glimpse into Anne’s imagination and sanctum; a world of sexually infused 70’s disco. Anne’s attempts at trying to seduce Simon in the regular world seem to fall of deaf ears until she’s able to escape into her mind with him and indulge in a dance off that just might culminate in Anne’s happy ever after.
One year ago, Honey’s dear husband was murdered at her annual Halloween Costume Party. Honey has vowed she will not rest until she can seek vengeance upon the murderer, but a year has passed since the horrible event and she’s no nearer to solving the crime. Covertly, Honey hires a Police Inspector to attend this year’s party - to which all the potential suspects are invited - and unmask his killer. But in an evening of anarchic fun and extravagance, the Police Inspector learns that the crime is just the tip of a treacherous political iceberg, and no one – not even Honey – is above suspicion.
For six years, Europe was plagued by a devastating virus that transformed humans into zombie-like monsters. As mankind struggled to control the pandemic, the great hope of a cure was found.
Senan has been through hell. When the plague swept across Ireland he was among the thousands afflicted and rendered into rabid ghouls. Senan did horrible things he cannot forget — and neither can the public, nor the authorities charged with policing those released from captivity. Senan's sister-in-law Abbie, however, is willing to give him a second chance. She lets him live with her and her young son, believing that Senan's actions while infected were beyond his control. But as an angry anti-cured movement burgeons in tandem with an increasingly radicalized pro-cured movement, Abbie is forced to question just how far her trust should be pushed.
Official Selection BFI London Film Festival 2017 - Cult Strand
Life is not easy for our young Barbara Thorson. Defiant, precocious, outspoken, and a loner, Barbara relates more to the make-believe world of Dungeons & Dragons. At home, she makes life difficult for her older sister, Karen, who is responsible for taking care of her and her brother. At school, psychologist Mrs. Mollé takes an interest in Barbara's increasingly worrisome behaviour. As she deals with loss and bullying, Barbara's imagined life begins spilling into her real one and she becomes obsessed with what she sees as her quest: killing giants. It's only when she's forced to face the truth and overcome her fears that Barbara is able to confront her demons.
Based on the Man of Action Graphic Novel 'I Kill Giants' created by Joe Kelly and Ken Niimura.
Official Selection Toronto International Film Festival 2017 - Discovery and TIFF Kids - World premiere
The tall, handsome Abdul Karim was just twenty-four years old when he arrived in England from Agra to wait at tables during Queen Victoria's Golden Jubilee. An assistant clerk at Agra Central Jail, he suddenly found himself a personal attendant to the Empress of India herself. Within a year, he was established as a powerful figure at court, becoming the queen's teacher or Munshi, and instructing her in Urdu and Indian affairs. Devastated by the death of John Brown, her Scottish ghillie, the queen had at last found a replacement. But her intense and controversial relationship with the Munshi led to a near revolt in the royal household.
A tender love story between an ordinary Indian and his elderly queen, a relationship that survived the best attempts to destroy it.
Based on the book 'Victoria & Abdul: The True Story of the Queen’s Closet Confidant' by Shrabani Basu.
Official Selection Toronto International Film Festival 2017 - Special Presentations
Carter is a Graphic Design student in London who would describe himself as a bit of a loner. After a drunken night Carter takes himself off to bed and slips into a deep sleep. He's has the most wonderful dream about his perfect woman. He knows the person is just part of a dream and doesn't exist. But does she?
A short essay film by artist animator, Jessica Ashman. Using animation and recorded interviews of eight other women of colour artists, the film explores navigating the visual art and animation world as a black face in a white space.
A young woman struggles to recover from an ex-lover's attack. Escaping through books and imagination, she wanders around her favorite park to seek solace.
A redemption thriller following underworld criminal Marley, as he struggles to overcome his feelings of grief and guilt after killing a young mother.
Marley is asked to identify the body of his estranged junkie mother. Later, in a fragile emotional state, he encounters a Romanian woman called Ana and her 9 year old daughter Cristina. During a confrontation over an unpaid debt he accidentally kills Ana. Marley goes to jail for manslaughter but soon realises that Ana has returned as a manifestation of his guilt. Eventually they forge an uneasy truce on the understanding that he will take care of Cristina upon his release.
By the time Marley is released, Cristina is a teenager. Determined to set things right, he goes on a mission to find her. He discovers that Cristina has been absorbed into a dark world of corruption and people trafficking. He must use his criminal skills and knowledge of the brutal underworld to save her.
A redemption story of the deepest, darkest noir in the territory of 'A Prophet' or 'Biutiful'.
Edinburgh International FIlm Festival 2017 - World premiere
Hampstead Village, London, is famous for its beautiful and much-loved Heath; a piece of quiet countryside in a vast metropolis. Living on the edge of the Heath is American widow Emily Walters, who can't quite focus on the things that need attention since her husband’s death; like her crumbling old apartment, diminishing finances and even her son, Philip.
One day while looking out across the Heath from her attic window, Emily spies a ramshackle hut, which appears to be inhabited by an unkempt man. After witnessing him being attacked by a group of professional thugs, she calls the police and watches through her binoculars as help arrives. The next day she ventures into the woods in search of him.
The man, Donald has lived quietly and harmoniously on the edge of the Heath for 17 years but his lifestyle is under threat - his home is the target of property developers who’ve started using heavy-handed tactics to remove him. He is naturally suspicious of Emily and politely rebuffs her attention, but despite his gruff exterior, there is something gentle and alluring about him. When Emily discovers that her friend Fiona is leading a community initiative in support of the developers, she bravely steps up to take Donald's side in the escalating battle to save his peaceful Heath dwelling. Though her son Philip tries to persuade her to retire gracefully to the country, she is determined to defend the emotional and physical livelihood of this quiet and unusual man - a man who might just be the person to sweep her off her feet.
Inspired by a true story, a charming and funny life-affirming tale about how love can be found in the most unexpected places, and that age is no barrier to second chances.
'Julius Caesar' depicts the catastrophic consequences of a political leader's extension of his powers beyond the remit of the constitution. As Brutus (played by Harriet Walter) wrestles with his moral conscience over the assassination of Julius Caesar (as played by Jackie Clune), Mark Antony (Jade Anouka) manipulates the crowd through his subtle and incendiary rhetoric to frenzied mob violence.
Described by The Observer as "One of the most important theatrical events of the past twenty years", this event cinema production by the Donmar Warehouse is the first part of Phyllida Lloyd's 'Shakespeare Trilogy'.
Edinburgh International FIlm Festival 2017 - World premiere
