Using a visual rich balance of documentary and animation KINGS OF SUMAVA poetically explores the duality of hero, villain and reunites former Czech immigrant Vlasta Bukovsky and Czech people smuggler Josep Hasil. The infamous boarder guard who lead those who needed to leave communist Czechoslovakia through the mountains of Sumava and to freedom. Due to the communist regimes failed attempts to catch Josef his family were imprisoned for over 180 years.
a ROLE to PLAY brings together the lived experiences and dreams of Bolsover residents, one of the most deprived towns in the middle of England. The film tells stories of the impact of economic changes in a post-industrial Derbyshire constituency where coal was once king.
An inquiry into proximity and empathy, explored through the working life of a care worker as he builds supportive relationships with three young adults with severe physical disabilities and autism.
As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realised far before its time.
Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered. Courtesy of a rare-record collector in Japan, a reissue of Keyboard Fantasies and subsequent plays by Four Tet, Caribou and more, the music had finally found its audience two generations down the line.
'Keyboard Fantasies: The Beverly Glenn-Copeland Story' tells the time-travelling tale of this mystical musician and vocalist, as the present finally catches up with him and he embarks on his first international tour at the age of 74.
Capturing five decades of relentless musical output and shifting manifestations of gender and sexual identity, set against a backdrop of profound social change, the film celebrates the unpredictable rhythms of life.
A lullaby to soothe those souls struggling to find their place in the world.
People Meeting in a Room reflects on collective film making and workers’ activism, connecting the histories of activists and film makers associated with the Birmingham Trade Union Resource Centre in the 1980s with a group of contemporary collaborators who interpret archival films and collective actions through animation, performance and conversation.
Made in and around Thrapston, a market town in Northamptonshire, The Great Bear explores narratives of labour and landscape in the English Midlands. Intensified by its focus on the young, activities and subjectivities of work entwine with patterns of seasonal change, the landscape both source and product of working life.
A dreamlike montage of a woodland, a dog and a search in twilight. The Search evokes the intensity of searching for a cadaver, where a dog trained to seek out the scent of decomposition takes us on a hunt around a wild landscape.
An allegorical story of the dividing line between reality and unreality, NUCLEAR is about a young girl losing the protection of her mother, forced to navigate a hostile world alone.
Following an act of violence committed by her own brother, Emma escapes with her mother to wild, open country, where they find refuge in an isolated retreat in the shadow of a nuclear power station. Fearful that her brother will return to continue his act of violence, Emma has to confront her own ghosts and her own guilt in order to be free of her toxic family.
Official Selection Warsaw Film Festival 2019 - World premiere
In 1990s Scotland a choir of Catholic school girls travels to Edinburgh for a music competition, but they're more interested in drinking, partying and hooking up than winning any prizes. Set over the course of a single day, this is a fresh coming-of-age story filled with energy, wit and raw humour.
Official Selection BFI London Film Festival 2019 - Special Presentation - World premiere
What if every memory that haunts you could be erased? What if something truly horrific had happened to you and the person who loves you most could wipe that from your mind? Would you want them to? This is the ethical dilemma that 18-year-old Marcus Lewis faced when his identical twin Alex awakened after a motorcycle accident and Marcus was the only person Alex recognised. With no memories at all, Alex relied entirely on his brother as he tried to understand who he was. Working from an autobiography by the twins, Perkins and the Lewis brothers craft a powerfully cinematic adaptation that helps the audience explore their incredible story and remarkable 35-year post-accident journey. It’s a profoundly moving examination of memory and trauma, personal responsibility and, ultimately, love.
Official Selection BFI London Film Festival 2019 - Debate Strand - European premiere
