The romantic and professional trials of Mary Henry - a cog in the machine of a London-based crime syndicate, presided over by sinister pragmatist The Mademoiselle.
Cyberlante explores the world of cybercrime and hacking for good… and evil…
This crime thriller tells the story of Matt, a young man with a troubled past recently relocated to a new town under the mentorship of Ozzy, who sets himself the task of keeping Matt on the straight and narrow.
Matt has found low-level work at an isolated hotel run by Clayton Kendall, a man whose charm and good looks belies psychopathic behaviour. Observant and curious, Matt soon suspects that Kendall’s appreciation of women is insidious and obsessive. Utilising nefarious skills in cyber technology, Matt undertakes an investigation into Kendall’s personal life and uncovers something truly dangerous.
As Jay races through another day in the City, a chance encounter forces him to stop. He is confronted by an enigmatic Professor and three Nudes who use stillness to reveal creativity, identity and mindfulness. Will he find the inner strength to expose his true self and transform his life?
Mark and Ben have been friends since meeting as teenage cancer patients. Twenty years later, Mark is a successful, womanizing doctor while Ben has become a neurotic recluse - a prisoner of his own obsessive rituals and wacky habits. A dramatic piece of news upends their lives and challenges Mark and Ben’s friendship to the core. To break Ben out of his shell, Mark stakes everything he – and Ben – have, and drags his mate on an adventure that will change both their lives.
Some filmmakers' style is so unique, they announce themselves in a scene: Lynch; Welles; Malick. And then there is Roy Andersson. A director whose visual storytelling can be encapsulated in a single frame. Because Roy, without hyperbole, is truly one of a kind.
All his films take years to make. His crew builds every set; then films and destroys them. He uses only fixed shots with no close-ups or edits. He casts non-professional actors. Roy’s intricate in-camera trickery is meticulous to the point of madness. And each production is shot entirely in an unassuming townhouse below Roy’s apartment – Stockholm's legendary Studio 24.
Roy’s contrarian methods have won garlands at the world's most prestigious festivals, and the adulation of visionaries like Darren Aronofsky and Alejandro G. Iñárritu. Now, at 76 years old, he is about to present his final work to the world. ABOUT ENDLESSNESS will mark the end of a major chapter in cinema. For when Roy stops making films, they will never be made this way again.
Charting the arduous, unsettled arc of what Roy lovingly terms his “final effort”, BEING A HUMAN PERSON is a poignant and heartbreakingly honest portrait of a master storyteller calling time on his career.
An isolated young woman must confront her estranged father when he suddenly resurfaces, believing himself to be the last living person on Earth.
A jet black comedy about emotional distance, mental health and family ties, starring SAG Award-winner Erin Doherty (THE CROWN).
Rena attends a speed dating event where she meets an array of daters all with the same objective, to find a connection. Rena questions whether love and technology are a stairway to heaven or a marriage made in hell. Commissioned by BBC Arts New Creatives and Screen South.
