When a bullied young boy discovers an elderly man quietly covering a forgotten brick wall in painted eggshells, an unlikely friendship forms - and a “pointless” act becomes something transformative.
Welsh:
Pan mae bachgen ifanc sy'n cael ei fwlio yn dod ar draws hen ddyn tawel yn gosod plisgau wy wedi'u peintio ar hen wal frics yn eu cymdogaeth, mae'n dechrau deall sut gall hyd yn oed y gweithredoedd lleiaf a rhyfeddaf adael rhywbeth parhaol ar eu hôl.
Official Selection Carmarthen Bay Film Festival 2026
A grieving father reunites with friends on a thrilling mystery adventure in the UK's wild west. But as a sinister plot unfolds, their perfect reunion quickly descends into a terrifying trip into the unknown.
In the days leading up to Christmas 1973 three astronauts enacted the first labour strike in outer space. Reconstructed from transcripts in claustrophobic close-up via CCTV system, THE CASE AGAINST SPACE is a real time investigation, dramatically collapsing embodied historical reenactment and speculative essayistic research - forming a collective testimony on struggle amongst the stars, of fights past, present and those yet to come.
Official Selection Open City Documentary Festival 2026
Official Selection Visions du Réel 2026
When an innocent 15-year-old school boy begins an illicit affair with a 29-year-old woman, love, lust and trauma combine with devastating consequences.
At the crossroads of art, activism, and the ocean lies the extraordinary story of Paolo Fanciuli, a humble Italian fisherman with a revolutionary vision. Known as Paolo the Fisherman, he has waged a quiet but fierce war against illegal bottom trawling - one of the most destructive fishing practices threatening marine ecosystems. Driven by years of witnessing the ocean's decline, Paolo devised a radical and poetic solution: the creation of an underwater museum—a surreal seabed installation of massive marble sculptures. These works of art serve a dual purpose: they physically block trawling nets from destroying the seafloor, and they symbolically stand as monuments to resistance and hope.
HOUSE OF FISH is a conservation documentary that blends Paolo’s intimate, personal journey with a natural history perspective on the fragility of our oceans... a cinematic ode to the sea and to those who dare to protect it through creativity and courage. By spotlighting Paolo’s efforts and the power of artistic activism, the film aims to awaken a deep emotional connection to our oceans - and inspire urgent action to save them.
The true story of the fifth Marquess of Anglesey who in the late 19th Century eschewed societal protocols of class and gender with his theatrical expressions and lavish social life, spending a multi-million pound fortune before his untimely death aged 29. The British peer, dubbed “the dancing marquess”, was known for wearing voluminous robes, cross-dressing and his fluid sexuality and gender identity, all of which contributed to him becoming the black sheep of his aristocratic family.
"...a riotous, uncompromising celebration of flamboyance, relationships, rebellion and blind generosity in the pursuit of love and applause."
Official Selection BFI Flare: London LGBTQIA+ Film Festival 2026 - World premiere
Five ballerinas, on their way to a prestigious dance competition, are barely on speaking terms when their bus breaks down in a remote forest. With no other options, they reluctantly seek shelter at an unsettling roadside inn run by Devora Kasimer, a reclusive former ballet prodigy. From the moment they arrive, something feels wrong - and their worst instincts prove right.
As the situation turns deadly, the fractured team must set aside rivalries and weaponise years of brutal training, turning grace, discipline, and even pointe shoes into tools for survival.
Official Selection SXSW Film Festival 2026 - World premiere
At the turn of the millennium, closeted Irish pop star, Charity, is completely under the control of her evil record label. With rumours about her sexuality in the tabloids and her ludicrous ideas of writing songs for her next album herself, her Swedish manager and his Stylist / lead singer of a boyband, sidekick decide it's time for Charity to undergo her latest transformation; from teen, bubble-gum pop princess to an over sexualised Y2K pop star. The lack of control in her own life leads to a breakdown for Charity and she must learn to rid herself of her evil management and rip out the belly button piercing they're using to control her... Literally.
Set in a mosque waiting room in 1980s South Wales, and inspired by the true story of writer-director Sara Nourizadeh's parents, a young couple whose relationship crossed boundaries of culture, faith and expectation.
At a time when Iranian politics dominated UK headlines and shaped public attitudes, a Welsh woman and her Iranian fiancé prepare for an Islamic conversion ceremony – a requirement they must fulfil if they are to marry. What follows is a quietly charged and emotionally intimate portrait of two people trying to navigate a moment that is both deeply personal and subtly political. As they wait for the ceremony to begin, small details – a trembling hand, a whispered joke, a fleeting moment of doubt – reveal the emotional stakes beneath the surface. Their conversation dances between humour and tension, affection and uncertainty, reflecting the push and pull of family pressures, cultural misunderstandings, and their own hopes for the future.
Authentic VHS archive footage of the real couple is interwoven within this scripted drama, grounding the film in lived experience and offering an unexpectedly tender glimpse into the decades that followed.
An experimental documentary that unfolds as a ceremony of queer belonging, inheritance, and sound. At its heart is a dialogue with Afro-Cuban priestess and musician Amelia Pedroso, whose legacy is invoked through archival traces, letters, and performance. Narrated as a letter to an ancestor, the film situates the search for connection within an interior, oceanic dreamscape where water, memory, and ritual become both setting and subject.
Cinematically, MODUPE moves between a stylised ensemble rehearsal and a sacred library-archive. The ensemble of voice, drum, and dance provides the film’s pulse, collapsing rehearsal and ritual into one. Deep blue light, reflective surfaces, and submerged imagery create a sensorial architecture that is both intimate and expansive, with water presence throughout evoking both flood and transformation.
Formally, the film resists linear storytelling, privileging atmosphere, rhythm, and sonic immersion. Objects, archives, and sacred materials hold the same cinematic weight as bodies in performance, reframing the archive as altar and sound as shrine. Narrative unfolds through resonance rather than resolution, drawing the viewer into a space of listening and reflection. MODUPE proposes cinema as a vessel for inheritance, where identity is fluid, memory is alive and liberation is lived through sound.
