Projects matching: Just

Synopsis

Naomi and Gary: They are a modern day couple. During the course of their story Naomi's emotional memories flood back and shatter the moment. Simon and Natalie: Simon helps Natalie at a taxi rank. The situation turns tense due to Natalie giving Simon a bogus phone number. Matt and Susan: They are both young professionals. Matt lacks confidence with women desperately trying to impress. Susan sees the situation for what it is 'a one-night stand'. Peter and Anne: Peter cannot believe his luck, as he lies next to Anne, the problem is he just can't understand that she is engaged to be married. The four strands have been intervowen driving the story forward towards their resolutions and the dawning of a new day.

Synopsis

America is a young Bolivian girl living in London. It is ten in the morning and a collect call from Bolivia will change the course of her day drastically. Her mother has died. She was killed while protesting against the USA's radical antidrug policy in the country. America promises her sister she will take the first plane to La Paz leaving today to be present at the burial tomorrow.   When she hangs up she embarks on a journey full of obstacles that she will have to overcome. She has two problems; the ticket costs £500 but she only has £100, and the plane leaves at 11:30 am. That is in 90 minutes. Her determination to get the money and see her mother for the last time in her life will be stronger than the antagonist elements oppressing her. To board the plane to La Paz will become her American dream. At the end of her journey, America will be determined to follow in her mother’s footsteps and show the USA that their repressive policy against the coca leaf is unjustified, even more so when respect for human rights and social welfare is at stake. Coca is not cocaine.

Synopsis

An observational documentary about Natty, a 19-year-old from Birmingham, who has just been released from prison, where he was sent for violent crime. Will financial and peer pressure lead Natty back into gang crime? Through the course of filming, Moby Longinotto raises difficult questions - should we be observing these lives and if and when should we be getting involved?  

Synopsis

Two New York art thieves come to England to steal an old master and are philosophising over life, death and the biology of the humble house fly, which eventually leads to a game of chess to see who will carry out an indiscriminate killing. The winner gets to pick the victim. Meanwhile two professional car thieves are doing their own deep thinking on whether or not to call it a day with car theft after one of their accomplices has been murdered. Meanwhile three drug dealers are getting ready for their latest deal and doing some philosophising of their own ...where are they going, what are they doing - Everything goes pear-shaped when the vehicle the car thieves steal belongs to the dealers - as the dealers give chase they accidently cut up a car containing the art thieves - in an ultimate road rage scenario the art thieves decide to kill the person who has just cut them up - This shattering pivotal coincidence leads to carnage, chaos, brutality and murder.

Synopsis

Bailey’s no ordinary dog: he can talk and he’s just inherited a fortune from his eccentric billionaire owner. Problems arise as outraged family members intervene – and they’ll stop at nothing to get their paws on his billions!

Synopsis

Coloring the Media begins with the premise that since the invention of the camera, Native Americans were the very first people to be documented either in photographs or in moving pictures. This film explores this journey as European Americans used the camera as a propaganda tool to depict native peoples in America as less than human. Through the development of stereotypes, and inadequate research, early films depicting native peoples set into motion a language of film that is still being used today. This language came to affect all peoples of colour around the world as they were often portrayed as ignorant or noble savages whose only good was to make the European look superior, civilized and just in their cause - which was more often than not the civilization of the savage. By using contemporary films such as Smoke Signals; and documentaries such as Healing the Hurts and Spirit combined with interviews with Native people, Coloring the Media takes us on a journey and asks how the past can affect the present and shape the future for Native Americans and also for people of color. As Black and Asian people living in Britain speak about their experiences and the struggles they face today, we see how the language of film set into motion in the early 20th century still plays an important part in the portrayal of people of colour. Coloring the Media offers a refreshing investigative insight into the past and present. For future generations it offers a solution of change through the voices of people, and asks one important question: 'What is it going to take to make this change happen, now, today?'  

Synopsis

London, midnight, on a cold evening. Unable to find a taxi, Kate (Franka Potente) heads for the Underground. She takes a seat away from the crowd of late-night revellers and waits for the last train. Before long she drifts off to sleep - and wakes to find everyone gone. She momentarily panics until another train pulls in. She boards, unnerved that she's the only passenger, but relieved at last to be on her way. Halfway through the tunnel the train jerks to a violent halt. The lights shut off and the train is plunged into darkness. Kate screams - she is trapped, in the dark - and she is not alone - her nightmare has only just begun.

Synopsis

In Festival, a comedy about the Edinburgh Festival, we get to know a lot of characters. Faith gets off a bus and starts handing out leaflets for her one-woman show. Sean, a famous comedian, is incredibly rude to a radio journalist, live on air. Micheline, a posh Edinburgh housewife, rents out her enormous flat to an experimental theatre group from Canada. She can't help spying on them from the close. At their house in the country, her husband and baby are waiting for her.   Joan, the radio journalist, wants to sleep with the charming Irish comedian Tommy. Does he really like her or does he just want five stars this year? Will the alcoholic PA Petra go off the wagon after a row with her horrible boss Sean? Will the Comedy Award jury ever agree on a shortlist? Who is that beautiful girl comic Nicky flirting with now?   Who will get an audience? Who will win an award? Who will find love, who is really talented and who will be the Next Big Thing?   Festival is about that strange month of August when the whole world comes to Scotland to perform, to watch and to drink, and every show promises to be better than the last one. For one month a year, for some people, Edinburgh becomes the centre of the universe.

Synopsis

Based on the novel No One Thinks of Greenland  by John Griesener. A biting comedy in the  tradition of Catch 22 and M*A*S*H.   1979: Qangattarsa - Top Secret Military Hospital.   The Vietnam War ended four years ago. Reagan has just announced his intention to stand for President with George Bush as his running mate on a ticket of 'Peace Through Strength'. The US military kicks into action with a huge injection of finance and the USSR is about to lose the cold war.   Meanwhile on Qangattarsa military base, Rudy Spruance is lost. Dropped off in the middle of no-where in the frozen wastes of the Artic. No one comes.   The Army doesn't make mistakes. As he comes round in an army hospital that doesn't offically exist, Rudy understands what it is to be on the sharp end of a 'small clerical error'.   'You'll want to scratch,' he's told when he comes around.   'Don't.' advises the orderly.

Synopsis

There was once a hotel in the mountains that was so popular with guests, the Manager decided to extend it. Yet still it remained full. The Manager continued to extend it, until eventually it became infinitely large. One day much to his surprise, no spare rooms could be found in his now infinite hotel. All the mathematical calculations, which he normally relied on to find the rooms, just wouldn't work.

Synopsis

Thirty years in the future, mankind has been forced underground by a deadly virus. The surface is thought to be a lifeless wasteland. Loki and Sash, two members of the 'Subtropolis' special forces, are thrust into a deadly adventure when they accept a new mission: Return topside, rescue a lost recon team and come back alive. One problem: they've been lied to. Cut off from civilisation and slowly being infected by the deadly disease, their ordeal is just beginning. Before long the inhabitants of this apocalyptic world show up and are hungry. For them. A thrill-a-minute sci-fi horror that will infect you with fear.

Synopsis

In the middle of a cold winter night, a mournful sound echoes through the darkness of the Irish countryside. Farmer Dan Reilly (John Lynch) waits as one of his cattle is about to give birth. The noise of her labour resonates through the barn. The animal’s agony weighs heavily on Dan’s mind, as he has reluctantly allowed a bio-tech corporation to run tests on his livestock in return for financial aid for his debt-ridden ranch. Camped in a nearby field are Mary (Ruth Negga) and Jamie (Sean Harris, who played Joy Division’s Ian Curtis in 24 Hour Party People and also starred in last year’s Festival selection Creep). The young couple is running away, hoping to get to London for a fresh start. After giving them a surly warning to get off his land, Dan backpedals and asks them for assistance with the troublesome birth. In the dank straw, the warm breath of new life appears on the cold air - and the group is plunged into a blind panic at the realization that something has gone horribly wrong.