When a wedding comes to a small town in the Indian countryside, it's a good opportunity for Mrs Bakshi to find eligible mates for her four daughters, but the smart and headstrong Lalita is determined to marry for love. Sparks fly when she meets the handsome American Will Darcy, but is it love or hate?
Gurinder Chadha directs this Bollywood-style re-telling of Jane Austen's classic tale of marriage and manners, transplanted to modern-day India, England and America, and complete with lavish musical spectacle.
What does Isky, a young Croatian immigrant, do when life seems just too black and white? A piece of pink bubblegum takes him on a journey to discover the power of his imagination.
Ricky (played by Ashley Walters, aka So Solid Crew's Asher D) is just out of a young offenders' institute, heading home to Hackney and determined to go straight. Instead, he heads straight for trouble when he becomes involved in a street confrontation, siding with his best friend Wisdom (Leon Black) against a local rude boy. The trouble escalates into a series of tit for tat incidents that threaten to spiral out of control. Ricky's 12-year-old brother Curtis (Luke Fraser), hero-worships Ricky, though he appears smart enough to know he doesn't want to follow his example. Yet, despite the stern warnings from his mother (Claire Perkins) and support from her friends in the community, might Ricky's bad boy allure be too attractive for Curtis to resist?
It's the year 2004.
A company called Cortex exists. It advertises its services by way of the Internet. The role of this organisation is simple: if you want somebody dead, simply push a few buttons and pay. The organisation collects the money and immediately finds the best professional hit man for the job. The killers are the first human beings to be implanted with a miniature "Eyecam". This permits them to record their work. Their work is then downloaded, shown to the client and ultimately sold by Cortex to those who can afford it.
Tom Lawson is one of these Cortex killers. He doesn't know why he has to kill these people. He only knows he has to do it and follows the orders.
He never asks questions. And the only reason he does it is for the money. He has just been commissioned to kill a little black kid. But today this killing will lead him to an unexpected love story and to his last days within the organisation.
Based on real events, Deadlines is a surreal, harrowing, sometimes darkly comic thriller set in wartime Beirut. Alex Randal, a young reporter with far more bravado than experience, arrives in the war torn city to cover the deadly double bombing of America's US Marine barracks and France's paratrooper base. In the mayhem he meets Julia Muller, a beautiful, enigmatic photographer. Like Beirut itself, nothing with Julia is what it seems. Alluring and wildly self-destructive, Julia feeds Alex a tip on a story that, in his eagerness, he runs after only a cursory check. The story, revealing that a murdered Lebanese Army captain was in fact an Israeli spy, puts him on the front page of newspapers around the world. It also leads to a series of deadly reprisals that, at first, seem to confirm the story.
Alex and Julia grow closer as they work together, but signs of a dark secret in Julia's past start to emerge. Attracted and intrigued, Alex pursues her; the closer he gets, the more dangerous she seems to become. Alex's world comes crashing down when he learns that Julia's tip was bogus, that his story was false - making him partially responsible for the slaugther that ensued. Alex then faces the starkest choice of his life: leave Lebanon beaten, broken and humiliated or risk his life to discover the truth behind the web of lies. With danger lurking at every turn, Alex tries to right the wrong he committed and, in the process, finally becomes the reporter he set out to be. In a nail biting finale, Alex helps Julian overcome her own deadly dilemma, allowing both characters to find redemption amidst the rubble of the city.
Nine year-old Frankie and his single mum Lizzie have been on the move ever since Frankie can remember, most recently arriving in a seaside Scottish town. Wanting to protect her deaf son from the truth that they've run away from his father, Lizzie has invented a story that he is away at sea on the HMS Accra. Every few weeks, Lizzie writes to Frankie a make-believe letter from his father, telling of his adventures in exotic lands.
As Frankie tracks the ship's progress around the globe, he discovers that it is due to dock in his hometown. With the real HMS Accra arriving in only a fortnight, Lizzie must choose between telling Frankie the truth or finding the perfect stranger to play Frankie's father for just one day.
For Rachael Crossman, (Laura Fraser) the remote island settlement of Devil's Gate may well be where she comes from but it is a place she never thought she would go back to. Her mother left when she was young and, ever since, Rachael has been searching on the mainland for her, searching for answers, searching for belonging and searching for a purpose to her life.
So, when Rachael's former childhood sweetheart, Rafe (Callum Blue) calls from Devil's Gate, Rachael is not interested. Not until she hears that her father, Jake (Tom Bell) is dying.
Meanwhile, Matt a city boy who has nursed Jake, knows that something is wrong. The terse and alcoholic Jake may well be unwell but he's not dying. Matt decides to stay in Devil's Gate and find out why she has been tricked to come home.
When Rachael arrives, it is obvious Rafe was trying to entice her back to rekindle their former romance. Matt, too, feels a bond between him and Rachael, much to the annoyance of the ultra-possessive Rafe.
The tense love triangle is complicated by the fact that an old hermit, Eagle, seems to have long=lost clues to the disappearance of Rachael's mother. Is Eagle hiding a dark secret, or is he just going crazy after too many long, dark nights in Devil's Gate?
As local policeman Clem gets drawn onto the trail, it soon becomes obvious that there is more to Devil's Gate than the remote landscape can hide. Is Rachael's mother still alive? What happened to her to make her disappear? And why is Rachael so scared to go back to her home?
Not many people live in Devil's Gate - and those that do will never be the same again.
Three young girls are buying ice lollies on a south Wales housing estate. When Omeed, a young Muslim refugee girl, tries to do the same with a food token, the shopkeeper is angry at her lack of comprehension. Humiliated in front of the other girls, Omeed makes a desperate gesture that might just gain her the acceptance she desires.
Orman is having a fruitless conversation on his mobile phone. He is running back to his office but getting nowhere. If he could just get through to Mr Langley everything will be resolved but someone (or something) is intercepting his calls.
The film uses an innovative blend of atmospheric stop-frame animation, live action performance and digital effects to create a dark world of uncertain reality.
Nick Beattie is not amused. For one, his wife is home alone and heavily pregnant but on top of that he has just missed his last train home. Things take an apparent turn for the better when the mysterious Robert Grieves suggests they have a drink. But will Nick make it back home in time?
Helen Fortuno, an Italian living in London, has not heard from her brother Frank for two years. She receives a cryptic postcard from him with enough informaiton for her to track him down to a Buddhist retreat in Scotland. Along for the ride is London girl Sylvia who is using Helen's search for her brother as her chance to leave her psycho husband Gordon.
Arriving at the monastry, they are told by a monk that Frank, failing to fit in, has moved on with tantric student Fiona. At Fiona's cottage they find Fiona has been abandoned by Frank and has a baby daughter by him. Frank has gone to live on the coast but when Helen confronts Frank's ex-beach buddy Joe, she realises that Frank doesn't want to be found. Meanwhile, Sylvia takes a fancy to kilted barman Davie and invites him along. Helen feels Davie is slowing them down and provokes him into parting with them. The two women, now followed by a mysterious Man in Black, continue on their search for Frank and encounter the Jeweller, Sunshine and Sophie, who guide Helen to the Drummer Girl, a forger who has given Frank a new identity - Sid Arthur.
When the Drummer Girl is murdered, Sylvia realises they are involved in something bigger than just looking for Helen's brother.
After being knocked out, an erratic Paul Hunt believes he has been the victim of a mugging, robbed of £1000, a deposit for his new house. Relationships are already strained between his new wife and his elderly father who all live under the same roof. Paul is now under pressure at his new job as a double glazing sales man for tyrant Big Al, under pressure to care for his devoting father and under pressure to get the money back, before his pregnant wife finds out.
Life just can't get worse for the trainee salesman as his boss forces him to wear glasses - "They make you look 17% more intelligent" - his new company car looks like Tweety Pie on wheels and his wife's on his back to get a new home.
Made on a shoestring, yet glittering with wit and invention - and jam-packed with brilliant set-pieces - Finnigan's digital feature is a superb example of Scottish independent filmmaking.
