Following the sudden death of her husband, grief turns a widow to the spirit world and psychic mediumship. SEEKING delves into the world of grief and explores the lengths we will go to in order to process unspeakable loss.
A poor memory leads Gregor Petrikovi to make audio recordings of conversations with loved ones, friends, and acquaintances, and since 2016, he has been building an archive of anecdotes and recollections. With AI-generated visuals, SINCERELY, VICTOR PIKE combines these faceless voices in a patchwork to produce a collective memory around the semi-fictional figure Victor Pike.
Official Selection International Documentary Film Festival Amsterdam (IDFA) 2024
A knight is in desperate need of a witch’s assistance to guarantee him victory on his quest – a pass on his driving test so he can take his spouse on the road trip he promised her… Susan the witch, with aid from a fish named Kevin, has other ideas…
After discovering the power of the humble brick, pigs forged ahead into the industrial revolution building houses, factories and shops to wolf-proof their lives. This is the story about a little piggie named Richmond who befriends a not-so-big bad wolf named Billy, much to the outrage of his father. Set in the Black Country, this film is about friendship, inclusivity and not judging a wolf by its cover.
Official Selection BFI London Film Festival 2025
When a Palestinian filmmaker based in Scotland unearths a rarely-seen Scottish film archive of Palestinian wild flowers, he decides to reclaim the footage. This tender essay film questions the role of image-making as a tool of both testimony and violence when connected to entanglements between people and land.
Official Selection Edinburgh International Film Festival 2024 - World premiere
Official Selection Sundance Film Festival 2025 - International premiere
Sundance Film Festival 2025 - Winner - Short Film Grand Jury Prize
A young postman is tasked with sorting out lost post. Upon reading one opened letter, written by an author who claims to be an Angel from the future, the postman embarks upon a fantastical journey and attempts to get the letter to its intended destination.
The pace of technological progress in the physical world has stalled. WE MADE TELEPHONES converts mid-20th century propaganda and advertising into a personal, intergenerational exploration of how the ‘world of atoms’ fell apart—and how it might yet recover.
Satinder Aujla, the UK Conservative government’s new foreign secretary, holds a press junket. Her internalised racism defends fascist policies as British values. We realise she has forgotten her heritage in exchange for power.
Official Selection Tasveer Film Festival 2024
Sion, a traumatised ex-squaddie kills and eats a local drug dealer for their protein. Compelled to kill again he sends shockwaves through the local criminal underworld and inadvertently sparks a brutal and bloodthirsty tit-for-tat turf war between rival gangs. Soon the bloody events set Sion on an unlikely road to redemption.
Official Selection FrightFest 2024 - European premiere
In POISON we encounter a man (Lucas) and a woman (Edith) who are seeing each other again for the first time in ten years at the cemetery where their only child is buried. They're meeting after many years apart - the body of their son Jacob needs to be exhumed because toxins have seeped into the ground. We follow them over the course of an afternoon, while they wait for their meeting with the cemetery's caretaker - who never turns up. During the course of the afternoon, both Edith and Lucas drop their masks, and secrets are revealed. Lucas has remarried, his new wife is pregnant and he is writing a book about the loss of his son. Edith has never been able to move on despite doing her best to pretend to. It slowly becomes clear that their whole meeting is based on one big lie. Edith fabricated the event to lure Lucas into meeting her after all these years, without knowing what it is exactly that she is looking for. It’s not until Edith and Lucas have exposed their vulnerabilities to each other that they are able to let each other go, and each go their own way.
Official Selection Munich International Film Festival 2024 - World premiere
Official Selection Galway Film Fleadh 2024
After a tremendous loss, Robin tends to her tropical garden. When a familiar visitor unexpectedly interrupts her peace. Drudging the painful past back with him, he threatens to expose the fragile facade Robin has painstakingly grown, forcing her to confront the pain she so desperately sought to escape.
Bodies of water are intervened upon, moved, disrupted and exploited. Labouring bodies experience similar pressures from the same forces of power and extraction. Distant communities – Northern England and Jamaica – share similar histories of manipulation and oppression whose record is kept in the living memory of its waterways. But water, like people, can find a way to exert its own will.
Official Selection International Film Festival Rotterdam (IFFR) 2025 - World premiere
