De Chirico is an experimental film in which sunlight projects the shadow of passers-by onto a concrete wall, turning them into actors in an accidental cinema. The film is named after the Italian artist who painted city squares in evening light, populated only by shadows.
From director Ian David Diaz and producer Julian Boote, who brought you the award-winning cult Brit-Flick, The Killing Zone (Grand Jury Prize, Best Feature, LA International Independent Film Festival 2000), Dead Room is by turns a dark, tense and sometimes bizarrely comic story of the various occupants of innocuously numbered Room No, 2. An otherwise ordinary flat in suburban London, owned by an untrustworthy Nigerian Landlord, No. 2 is a room born bad. You know the kind… bad karma on top of bad décor! It inevitably attracts all the wrong people, and something weird always happens there.
Giving examples of its four latest occupants - a gentle writer being driven to murder by a cruel prankster; an ill-prepared trio of women falling foul of a self-perpetuating chain of evil; a TV journalist following an alien-obsessed, barking mad assassin; and a homeless man's encounter with a crazed Stalker and her victim - the Landlord shows us just how macabre and downright odd the room's history really is.
Set in a bed-sitting London many will find all too familiar, Dead Room follows the grand tradition of Dead of Night, Creepshow, and Twilight Zone The Movie.
1917. The Western Front. A million or more Allied and German troops face each other across the shattered landscape of northern Europe. A world of mud, entangled by a wilderness of barbed wire, scarred by miles of trenches, soaked with the blood of the fallen, the air fetid with the suffocating stench of death and gas. Hundreds of thousands of young men are already buried in this terrible wasteland; hundreds of thousands more will die here before the slaughter ends.
It is here that one young man must face the truth about himself; that he is a coward, unable to face the coming horror of battle. Private Charlie Shakespeare is frozen with fear. Forced over the top at gunpoint he is hurled into the chaos of battle, witness to the decimation of his comrades; bodies shredded by machine-gun fire, others are blown apart by stray shells. He is alone, desperate to turn and flee. Then the poison gas drifts over the nightmare battle field and all he can do is fumble for his mask, press himself deeper into the mud and pray for dawn.
When the battle is over, Shakespeare and the handful of other survivors from Y-Company are utterly lost somewhere in enemy territory. Their only shelter is an abandoned German trench. It's a claustrophobic maze of blind corners and underground tunnels, overflowing with war dead and infested with rats. Here, exhausted and terrified, they seek refuge, waiting to be rescued.
But no one will come and as the night draws in, one by one, the young men of Y Company begin to die. An unseen enemy is stalking them, driving them insane with fear until they begin to turn on each other. Is their refuge possessed by something even more terrible than the war that surrounds them?
In this cursed, lonely place, Private Charlie Shakespeare must find the strength to overcome his own deepest fears if he is to survive.
Two women. Two wills. One dress. Vera is dying. Her only daughter, Dana, expects nothing except - the dress: the Fortuny dress that Vera has clung to throughout a life time of adversity. Dana thinks the dress is her inheritance. Vera has other plans. A black comedy about a fight to the death - and beyond.
One day top stylist Pim comes face to face with her past when Debbie walks into her salon and back into her memory. Pim's in turmoil as she remembers the summer day when they were ten and her then best friend rejected her. Pim's crime: her Asian hair was black, not blonde. Now Pim has Debbie's head in her hands. Pim has her chance for revenge.
Die Another Day starts with a spectacular Hovercraft chase through a deadly minefield in the demilitarised zone separating North and South Korea - and the action doesn't let up until the credits roll. From Hong Kong to Cuba to London, James Bond (Pierce Brosnan) circles the globe in his quest to unmask a traitor and prevent a war of catastrophic proportions. On his way he crosses paths with Jinx (Oscar®-winner Halle Berry) and Miranda Frost, women who will play vital roles in his adventure.
Hot on the trail of evil megalomaniac Gustav Graves (Toby Stephens) and his ruthless right-hand man Zao (Rick Yune), Bond travels to Iceland and into the villain's lair, a fantastic palace built entirely of ice, where he experiences firsthand the power of a new hi-tech weapon. Ultimately it all leads to an explosive confrontation - and unforgettable conclusion - back in Korea where it all started.
Liverpool, England. A Chinese Grocery. Three women sit making dumplings. Conversation turns to traditions, relationships and men and we discover that although distinctly Chinese, their subjects are universal concerns. A gentle informal picture of the women's everyday struggles framed by the distinctive Liverpool skyline and infused with a warm humour.
Jason and Emma get a late invite to Angie and Tom's house for dinner. Angie is Emma's boss and Emma convinces Jason that they should go. Jason however has bigger things on his mind.
A troubled young woman confronts disturbing memories from her past by paying out her sexual fantasies with a stranger that she picked up at a night club.
A squad of British soldiers is sent out on manoeuvres into the wilds of Scotland. But what should have been a routine military exercise turns into a waking nightmare for Sergeant Harry Wells and his men.
Stumbling into the encampment of Captain Richard Ryan, on a top secret mission for the Special Operations Division, they find him mortally injured and his crack unit torn to shreds. Stunned by the blood-soaked carnage they have witnessed, the shocked corps is taken by the mysterious Megan to a deserted farmhouse deep in the forest for refuge.
However, the farmhouse is the domain of a pack of hungry werewolves and they want to reclaim their woodland property as well as feast on the flesh of their trapped victims.
With no radio contact, limited ammunition and only each other to rely on, the frightened soldiers must fall back on their basic training if they are to fight the demonic monsters battering down the doors and smashing through the windows. Who will survive the terrifying threat? And what will be left of them if they do?
Barry struggles to come to terms with his redundancy and to occupy himself whilst apparently at work, he breaks into stranger's houses to clean them. Through cleaning Barry regains order, a sense of purpose and the strength to confront his situation. He unwittingly becomes an angel in another couples troubled life.
dot the i is a love triangle, a dark comedy with a twist. The story centres on three characters: Carmen, a fiery Spanish girl about to get married; Barnaby, her posh fiancé with dark ambitions; and Kit, a struggling actor who tears up their relationship.
Carmen meets Kit on her hen night - in a kiss arranged by the maitre d' at the restaurant, according to a French tradition. It's a very good kiss. Too good. It's chemical, passionate, and very dangerous.
So she runs.
Torn between her safe, secure fiancé and the chance at gut-wrenching passionate love, Carmen is in a state of indecision. She avoids her heart, and goes with her head - and marries Barnaby. Until she realises she's made a terrible mistake and runs from her wedding bed to Kit.
As the situation intensifies, Carmen embarks on a journey in which she'll be forced to learn that things are never quite what they seem. This twisted tale toys with illusion and reality, passion and artifice.