All That is Solid

Director: Louis Henderson

Year: 2016

Made in the Dominican Republic and Haiti, a free adaptation of the poem 'The Sea is History' by Derek Walcott as a materialist and animist critique of the monumentalisation of European colonial history and its ripples into the present. Official Selection BFI London Film Festival 2016 - Experimenta Strand

Director: Louis Henderson

Year: 2015

"'Black Code/Code Noir' unites temporally and geographically disparate elements into a critical reflection on two recent events: the murders of Michael Brown and Kajieme Powell by police officers in the U.S. in 2014. Archaeologically, the film argues that behind this present situation is a sedimented history of slavery, preserved by the Black Code laws of the colonies in the Americas. These codes have transformed into the algorithms that configure police Big Data and the necropolitical control of African Americans today. Yet how can we read in this present? How can we unwrite the sorcery of this code as a hack? Through a historical détournement the film suggests the Haitian Revolution as the first instance of the Black Code’s hacking and as a past symbol for a future hope." Louis Henderson Official Selection BFI London Film Festival 2015 - Experimenta Strand

Director: Patrick Hough

Year: 2026

Filmmaker Patrick Hough journeys through the haunted landscapes of Ireland, where colonial violence, ecological loss and queer desire remain inscribed in the land. Moving between forests, mountains, archives and cruising grounds, the film traces the extinction of the Irish grey wolf alongside the cultural suppression that followed Cromwellian conquest of Ireland. Fragments of history surface through objects and places: a death mask of Oliver Cromwell, medieval myths of werewolves, maps drawn to measure and divide conquered territory, and landscapes where wolves were once hunted to disappearance. These materials are interwoven with contemporary nocturnal scenes of queer gathering and protest, where shame gives way to transformation, pleasure and resistance. Blending essay film, documentary and poetic fiction, LANDSCAPES OF SHAME asks how violence survives in landscapes, language and bodies - and what forms of wildness still remain. Official Selection BFI London Film Festival 2026