The Sea is History

Director: Louis Henderson

Year: 2015

"'Black Code/Code Noir' unites temporally and geographically disparate elements into a critical reflection on two recent events: the murders of Michael Brown and Kajieme Powell by police officers in the U.S. in 2014. Archaeologically, the film argues that behind this present situation is a sedimented history of slavery, preserved by the Black Code laws of the colonies in the Americas. These codes have transformed into the algorithms that configure police Big Data and the necropolitical control of African Americans today. Yet how can we read in this present? How can we unwrite the sorcery of this code as a hack? Through a historical détournement the film suggests the Haitian Revolution as the first instance of the Black Code’s hacking and as a past symbol for a future hope." Louis Henderson Official Selection BFI London Film Festival 2015 - Experimenta Strand

Director: Louis Henderson

Year: 2014

A technographic study of e-recycling and neo-colonial mining filmed in the Agbogbloshie ewaste ground in Accra, Ghana. The video constructs a critique of the capitalist myth of the immateriality of new technology - thus revealing the mineral weight with which the Cloud is grounded to its earthly origins.

Director: Matthew Berka

Year: 2026

After C. P. Cavafy. Dedicated to the body, to remembering, to forgetting. When blinded, the senses can cross-pollinate so that they become more closely bonded. Likewise, they can also disassociate and lose contact with each other. Desire transforms things into other things. The erotics of absence and suggestion direct attention away from the materialism of pornography. Longing is described through cinematic space as distance and proximity. Official Selection International Film Festival Rotterdam 2026 - World premiere