Black Code/Code Noir
Synopsis
Official Selection BFI London Film Festival 2015 - Experimenta Strand
Details
- Year
- 2015
- Type of project
- Shorts
- Running time
- 21 mins
- Director
-
Louis Henderson
- Producer
- Olivier Marboeuf
- Executive Producer
- Spectre Productions
- Editor
- Louis Henderson
- Director of Photography
- Louis Henderson
- Sound
- Joseph Munday, Simon Apostolou
- Principal cast
- Ana Gabriella Pereira Vaz (Voice-over)
Genre
Categories
Production Status
Production Company
UK, France coproduction
Spectre Productions
Olivier MarboeufSales Company
Fabrique Phantom (FR)
Lou Jomaron19 rue Jules David
93260 Les Lilas
France
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
The Sea is History
Director: Louis Henderson
Year: 2016
Made in the Dominican Republic and Haiti, a free adaptation of the poem 'The Sea is History' by Derek Walcott as a materialist and animist critique of the monumentalisation of European colonial history and its ripples into the present. Official Selection BFI London Film Festival 2016 - Experimenta Strand
All That is Solid
Director: Louis Henderson
Year: 2014
A technographic study of e-recycling and neo-colonial mining filmed in the Agbogbloshie ewaste ground in Accra, Ghana. The video constructs a critique of the capitalist myth of the immateriality of new technology - thus revealing the mineral weight with which the Cloud is grounded to its earthly origins.
Loss.y
Director: Lisa Jamhoury
Year: 2026
Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026