Project Detail

Edges: Waves

Synopsis

One of a series of videos in which everything happens at the edges of the frame. In this piece waves build up (in stereo) and then unfurl.
Official Selection International Film Festival Rotterdam (IFFR) 2019 - Perspectives - World premiere

Details

Year
2018
Type of project
Shorts
Running time
6 mins
Format
Digital
Director
Simon Payne
Producer
Simon Payne

Production Status

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Not And Or Not And Or

Director: Simon Payne

Year: 2014

NOT AND OR involves black and white quadrilaterals spinning in virtual space that alternate with the same static shapes re-filmed from a screen in real space. The second half of the piece is the same as the first, but flipped, reversed and re-filmed again, through successive generations - adding while taking away.

Twice Over Twice Over

Director: Simon Payne

Year: 2012

The sequencing of colour and sound for Twice Over followed a pattern based on progressions across the scale of colours and tones. An element of chance was introduced by re-filming a second variation, overlaying it with the first sequence. In the gap between layers, aleatory colours and tone combinations arise.

A 3d printed of a female duet displayed in a vitrine in front of a projection of a digital image of the split second of the duet captured in photogrametry Loss.y

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026