Twice Over
Synopsis
Details
- Year
- 2012
- Type of project
- Shorts
- Running time
- 12 mins
- Format
- Computer / HD
- Director
-
Simon Payne
- Sound
- Simon Payne
Genre
Categories
Production Status
Production Company
Simon Payne
2 All Nations House2 Martello Street
London, E8 3PF
Telephone: +44 (0)20 7923 0574
Sales Company
LUX,
Shacklewell Studios,18 Shacklewell Lane,
London, E8 2EZ
Telephone: +44 (0)20 7503 3980
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Edges: Waves
Director: Simon Payne
Year: 2018
One of a series of videos in which everything happens at the edges of the frame. In this piece waves build up (in stereo) and then unfurl. Official Selection International Film Festival Rotterdam (IFFR) 2019 - Perspectives - World premiere
Not And Or
Director: Simon Payne
Year: 2014
NOT AND OR involves black and white quadrilaterals spinning in virtual space that alternate with the same static shapes re-filmed from a screen in real space. The second half of the piece is the same as the first, but flipped, reversed and re-filmed again, through successive generations - adding while taking away.
Loss.y
Director: Lisa Jamhoury
Year: 2026
Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026