Eurydice...She So Beloved

Director: Joe Richardson

Year: 2024

Immortal John is dying. As his last surviving heir, you have been summoned to hear his dying wish. Will he ask you to avenge his death!? To murder all those who have wronged him!!? To bring to fruition his life long plan to topple the ruling elite from within, shattering the balance of power, and ultimately saving the world!!!? Or will he simply ask you to stop being such a shit? Only time will tell. Or me, I can tell you – It's the last one. DEATH OF THE REPROBATE is a gentle story about helping people and being a nice lad. Travel around a quiet, rural town - help the locals in their day to day tasks. Wander into the nearby woods - make idle chit-chit with a woman submerged neck-deep in a tiny pond. Climb to an idyllic viewpoint in the mountains, overlooking earth and sea and sky, the natural and the man-made, the eternal mystery held within the infinite depths of the distant horizon - help a man shoot some birds. This is a game full of slow burning simple pleasures... ...Until the Devil gets involved. Official Selection BFI London Film Festival 2025 - Games Lounge at LFF Expanded

Director: Kerryn Wise, Ben Neal

Year: 2025

An emotive Mixed Reality performance which uses Volumetric Capture to display a virtual dancer who interacts with, and occupies the same space as a live performer - allowing her to duet with a digital double. REPLICA asks you to consider human issues around liveness, mortality, memory and ageing - exploring how we present ourselves and connect with each other in a world of growing digitisation. Official Selection ART*VR 2025

Director: sister sylvester and Nadah El Shazly

Year: 2025

Constantinopoliad is an expanded documentary and installation that centers around the collective reading of a hand-made book. A response to the archive of the poet Constantine Cavafy, the story is inspired by the blank and torn out pages in “Constantinopoliad, an epic”, the journal the teenage Cavafy began when he and his family fled Alexandria; by lost and missing queer archives through time; and by the ghosts, both erotic and historical, that visit the older Cavafy in his poems.