Feeder
Synopsis
We want it. We buy it. We eat it. We swallow it down whole. But what does our body see when we stick it in our mouth?
Filmed entirely from inside the mouth, Feeder tells a story, a simple story of excess over the course of a single day, without characters, locations or dialogue.
Details
- Year
- 2010
- Type of project
- Shorts
- Running time
- 4 mins
- Format
- Digital Capture
- Director
-
Joseph Ernst
- Producer
- Neil Henry
- Editor
- Adam Marshall
- Screenwriter
- Dean Wei, Joseph Ernst
- Director of Photography
- Joseph Ernst
- Sound
- Ed Downham
- Composer
- Miguel Costa
Genre
Categories
Production Status
Production Company
Gladis Haralski Ltd
103 Westbourne Park VillasLondon W2 5ED
UK
www.feeder-feeder.com
Page updates
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See also
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.