The Lost Reels

Director: Matthew Humphreys

Year: 2014

From 2010-2013 I recorded every departure from my parents home on an iPhone. form relationships with cameras and these in turn expose the relationships I have with my family. The routine that I followed reveals the dissolution of a family home.

Director: Matthew Humphreys

Year: 2013

My work constitutes a core interest in the languages of communication embedded in the social relationships and contexts of the everyday. In Living Room I collated video and sound over time from a single geographic location about the dissolution of family life.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.