Space, Time and Streets in the Sky
Synopsis
Official Selection Immersive Futures Lab, BEYOND 2022 (Cardiff)
Details
- Year
- 2021
- Type of project
- XR / Immersive
- Running time
- 7 min 8 sec
- Format
- 360 video
- Director
-
Nick Bax
- Producer
- Nick Bax
- Editor
- Michaela White
- Sound
- 'Canyon Drive' by Bochum Welt
- Composer
- Bochum Welt
- Animation and Design
- Michaela White
- Animation
- Dan Fleetwood
- Additional Content
- Professor Dawn Hadley
Genre
Production Status
Page updates
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See also
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The Neon Pack
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Year: 2022
An immersive 360 experience created by Human Studio interpreting three scenes from an original short story by Nick Bax. The Neon Pack is a Protopian Tale which takes place in a very near future where XR technology is seamlessly fused into our everyday lives, enhancing even the most mundane of activities. The project was commissioned by Hope Works and match-funded by XR Stories (University of York) and attempts to provoke thought and discussion regarding the development and proliferation of XR technology and content. To date, ‘The Neon Pack’ has been exhibited at Sónar+D (Barcelona, 2023), the Immersive Futures Lab, SXSW, (Austin, Texas, 2023) and BEYOND, Cardiff City Hall (2022). An augmented reality iteration of the project was also displayed in Sheffield city centre until 2025 as part of the ‘Look Up’ AR artworks project. The Neon Pack features original soundtrack by 96 Back on CPU Records.
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As Time Swallows Time
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Year: 2025
AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.