Project Detail

The Masque of Blackness

Synopsis

Epoh Beech's hand drawn animation THE MASQUE OF BLACKNESS reimagines literature and explores the spirit of place. Guided by a winged horse and a grey seal you are taken on a magical, moonlit, journey from the Niger Delta in West Africa to the Thames and Rhine rivers in Northern Europe.

Details

Year
2018
Type of project
Shorts
Running time
12 min 45 sec
Format
Digital HD 16:9
Director
Epoh Beech
Producer
Epoh Beech
Editor
Matthew Thomas
Screenwriter
Epoh Beech
Director of Photography
Epoh Beech
Composer
Esben Tjalve

Production Status

Production Company

Epoh Beech

ACAVA Studios
54 Blechynden Street
London W10 6 RJ

Sales Company

Epoh Beech

ACAVA Studios
54 Blechynden Street
London W10 6RJ

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Me, Myself and Mary Me, Myself and Mary

Director: John Michell

Year: 2026

The true story of best-selling author, Séamas O'Reilly. As a student at university, Séamas gets his days mixed up and ends up alone in work with his boss and the President of Ireland while high on drugs. Official Selection Tribeca Film Festival 2026

A still from the film depicting a dancer being shadow projected Adage

Director: Jack Barrett

Year: 2025

Adage is a ballet term which refers to a slow and graceful sequence of movements - in this film artist/ filmmaker Jack Barrett seeks to juxtapose this with disorientating abstraction caused by process and editing. Barrett utilises risograph, mono-print, shadow projection and manual point tracking to create varying levels of abstraction, in turn playing with our associated perception of movement. Official Selection Annecy Festival 2026

A 3d printed of a female duet displayed in a vitrine in front of a projection of a digital image of the split second of the duet captured in photogrametry Loss.y

Director: Lisa Jamhoury

Year: 2026

Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026