Unseen: The Lives of Looking
Synopsis
Details
- Year
- 2015
- Type of project
- Features
- Running time
- 90 mins
- Format
- 4K video
- Director
-
Dryden Goodwin 1st Feature
- Producer
- Jo Cole, Sarah Caddy
- Co-Producer
- Dryden Goodwin Projects, Red Bee Media
- Executive Producer
- Gareth Evans
- Editor
- Dryden Goodwin, Jo Cole
- Screenwriter
- Dryden Goodwin
- Director of Photography
- Dryden Goodwin
- Sound
- Dryden Goodwin
- Composer
- Dryden Goodwin
- Principal cast
- Prof Sir Peng Tee Khaw, Prof Sanjeev Gupta, Rosa Curling, Jeffrey Goodwin, Fynn Cole-Goodwin
- Researchers
- Jo Cole, Imran Perretta
- Production managers
- Harriet Masterson, Sukey Richardson
- Production, Camera and Sound Assistants
- Brada Barassi, Imran Perretta
- Sound Mastering
- Tony Perretta
- Production Lawyer
- Guy Swillingham
- Production accountants
- Perlin Franco Ltd
- Funded by
- Royal Museums Greenwich, Arts Council England, Wellcome Trust, Red Bee Media
Production Status
Production Company
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Alongside
Director: Dryden Goodwin
Year: 2019
An inquiry into proximity and empathy, explored through the working life of a care worker as he builds supportive relationships with three young adults with severe physical disabilities and autism.
Anak Where Did We Stay?
Director: Sadia Pineda Hameed
Year: 2026
ANAK WHERE DID WE STAY? is a five-channel film by Sadia Pineda Hameed that brings together The Box’s home movie collection and the artist’s personal/family collection. Rasheed Araeen’s chakras, spouting waves, Beatlesmania, a basking shark, hula dance, an Enoch Powell protest, tidal islands and seafoam floating into the air—the archives converge across time to tell the story of the artist’s mother’s migration from one archipelago to another: the Philippines to the British Isles. The film becomes a gathering site for personal and collective experiences of journeys, resilience and belonging. Road trips unexpectedly reenact the archive, footage finds itself out of context, voices commentate the film as if rewatching a home movie together; mimesis, associations and autonomy are central to the retelling. As camcorders became more accessible from the 1970s onwards, home movies were an unconscious means to rebuild personal archives after colonial displacement, extraction and erasure. ANAK WHERE DID WE STAY?, named after the home movie from The Box’s archive 'Perranporth Where Did We Stay?', unfolds as a conversation between the artist and her mother, exploring the three interconnected journeys of migration, holidays and remembering. Produced as part of The Box’s Reimagining the Film Archive programme (BFI Screen Heritage Fund).
Moving Sound
Director: Sadia Pineda Hameed
Year: 2025
MOVING SOUND is a speculative work set across 1980s and near-future Wales, shot on super 16mm. In the film, sounds of present day anti-colonial and anti-capitalist strategies for mining strikes are transmitted from Soundcamp streamboxes to the past via an underground, time travelling broadcast. In the 1980s, workers build DIY receivers from Moving Sound portable audio devices, which they use to distribute the broadcast around sites of production and the everyday. First screened in the King Coal Experience (an immersive recreation of the Big Pit underground mine) amidst disused mining machinery, MOVING SOUND blurs fictional 16mm and archival 8mm footage of sonic action to explore how organising converges and enacts across geographies, temporality, fantasy and reality.