Project Detail

When Things Occur

Synopsis

Based on Skype conversations with Gaza-based photographers, fixers and drivers who were behind specific images that were transmitted from screen to screen in the summer of 2014. The film probes the face of mourning and grief- its digital embodiment, transmission, and representation. It asks how the gaze gets channeled within the digital realm, and how empathy travels. Equally, how the documentary signifier - and its abstraction - operate when viewing suffering from behind one's LCD screen. What exactly is viewing suffering ‘at a distance’- and how many meters or kilometers is that? What is the behavior and political economy of the image of war? And who is the ‘local’ in the representation of war? (Oraib Toukan)
Official Selection Berlinale 2017 - Forum Expanded

Details

Year
2016
Type of project
Shorts
Running time
28 mins
Director
Oraib Toukan
Producer
Oraib Toukan
Editor
Oraib Toukan; Editing Consultant: Casey Asprooth-Jackson
Screenwriter
Translation and Subtitles: Fadi Abu Nimeh, Oraib Toukan
Commissioned By
Cities Exhibition 5, Birzeit University Museum. This piece is part of the artist's ongoing research, based at The Ruskin School of Art, Oxford University

Production Status

Production Company

Palestine, UK coproduction

Sales Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A pale child-like figure floats in a dark, cavernous underwater space beneath a rippling blue-lit ceiling. Mystis

Director: Tatiana Collet Apraxine

Year: 2028

You awaken on a fog-shrouded shoreline and meet Echo, a strange child with a hole in their stomach. Together you cross a lantern festival where the veil between worlds is thinnest, sail into an ocean that opens beneath you, and descend through a portal into the Underworld. The Underworld moves through different facets of grief: a rave where silhouettes dance in slow motion, indifferent to Echo's attempts to reach them; a frozen sea where giant statues crack open to release a buried memory of a lost mother; a shadow theatre where an anger monster is unleashed, reducing everything to embers. From the embers, a boat carries you into a vast darkness, where Mother appears, and they are finally reunited. You sail together to the Tree of Life, a bioluminescent, cosmic jungle. Echo begs her to return to the World of the Living, but ancestors appear and surround you. She cannot come back - the journey was never about bringing her back. Echo, revealed to be your own child self, dissolves around you as the hole fills with light.

I Heard That They Are Not Going To See Each Other Anymore I Heard That They Are Not Going To See Each Other Anymore

Director: Ka Ki Wong

Year: 2026

In present-day Taipei, Tao develops unexplainable affectionate feelings for Shin, an indifferent guy. Desperate to create lasting memories, she sends people to beat him up, using pain as a twisted form of connection. Meanwhile, Melih, having left Istanbul for Taipei, owns a noodle shop. One night, he receives an unexpected flower from the perpetually drunk Ping. Melih begins to stare into the flower from time to time, experiencing the tale of Tao and Shin and revealing his own unspoken desire and failed attempts to connect with Ping. As Melih digs deeper into the tale, he confronts his struggles to form meaningful relationships. His struggle gradually mirrors Tao’s struggle with Shin. As Tao grows closer to Shin, Shin vanishes, leaving Tao to realize that these recollections, retained only by her, might be mere figments of imagination. Tao’s tale then makes Melih question if it’s better to forget everything, as he contemplates whether letting go of solitary memories might finally bring him peace. Official selection CPH:DOX Copenhagen International Documentary Festival 2026 - Next:Wave Competition (World Premiere)

Eight women twirl around a reclining figure, palms trailing incense smoke in a red-lit, pastel haze. Nazar

Director: Lara Habib Kobeissi

Year: 2026

Nazar is a tender, intimate encounter in virtual reality between participant and performer. It unfolds as experiential poetry within evil eye protection sessions shared across decades by the artist and her mother, exploring embodied care, presence and vulnerability. Grand & Impact Prize, NewImages 2026 Official Selection, Embodied Realms 2025 Official Selection, Shubbak Festival 2025