Projects in genres: Science

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A lyrical visual poem about the new season arriving along the River Thames in West London.

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Set in a former Cold War era civil defence bunker turned data centre buried 30 metres underground in Stockholm. Part Bond villain lair, part retro-futuristic spaceship, the film explores the temporal nature of data space and geology. Once housing servers for WikiLeaks, issues of privacy, surveillance and digital sovereignty emanate.

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India’s largest crowdsourced documentary. The story of a single day, 10th October 2015.
The film is a unique document, capturing a remarkable range of characters and personal reflections into what it means to be alive in India today, submitted by individuals from across the country.

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Consumed is a cinematic journey through the landscapes, mines, factories, and shipyards of Chinese production.

Blurring the lines between documentary and fiction, a single worker narrates his story to the rhythm of industrial machinery, re-framing supply chains as a narrative performance at global scale.

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Uncovering the veiled world of a Siberian Arctic mining city and how an unstoppable, unconditional passion for industrial wastelands makes its people blind to the threatening reality they face.

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Inside a Tanzanian hospital, serving 20 million people, UK surgeons and nurses work tirelessly to teach modern medical procedures to their African counterparts. Operating on those in need, they change the landscape of medicine in Africa forever.

A film documenting a week spent in one of Tanzania's busiest hospitals, accompanying a group of 10 volunteers representing the Northumbria Healthcare NHS Foundation Trust.

The film highlights the importance of the 17 year relationship between Northumbria and Kilimanjaro Christian Medical Centre, and concentrates on a project to introduce Laparoscopic surgery now in its 11th year and a more recent burns project. We follow Irish Surgeon Dr Liam Horgan , who now in his 11th year working with KCMC, manages to make medical history in Africa during the week.

Uk born but now practicing in Australia, plastic surgeon Dr Jeremy Rawlins is introducing modern burns procedures to a country where burns cases are prolific in number but largely untreated. The film explores the dire need for improved conditions, equipment and knowledge of burns treatment as we concentrate on five patients. Not all outcomes are of a positive nature.

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Six everyday scenarios play out in modern London summoning ideas of representation, spectacle and human behaviour.

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A stop-motion sci-fi action thriller about squirrel apartheid. When a lone renegade grey squirrel and a hunted acorn find themselves trapped on a hostile and mysterious red squirrel island, they uncover a horrifying plot that threatens their future…can they survive Squirrel Island?

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A film about the women who confounded ideas of what was appropriate or expected, and got involved in science in Victorian England. This is the story of Vanessa Kentworth and the rain.

Based on true events and the work of the British Rainfall Organisation.

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Adopting the form of a video game trailer, 'Immunecraft' is an animation developed in collaboration with immunologist Dr Megan MacLeod and presents a fictional game which gives users agency over a real life cell culture to compete against opponent players, and explores the parallels between popular gameplay mechanics and some of the most important principles of the human immune system, including cell memory and autoimmunity.
It understands itself as a piece of speculative design futures, commenting on the principles of multiplayer online gaming in the age of DNA building blocks, printable organic electronics and biohacking, thus raising questions about bioethics.

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A film exploring what can be seen and what can not, how scientists imagine their work and how they describe it.
The film is based on the work undertaken in Dr Serge Mostowy’s laboratory on septin assembly in cells, using a zebrafish model. Lab members describe the intricate sub-cellular septin dynamics and structure. Their explanatory drawings, and discussion between scientists and filmmaker about how they see the research, are incorporated into the animation.

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This piece exposes the parallels of computer coding and genetic coding in humans and animals. Voiced by an anonymous group of ‘hybrid’ machines, from some point in the near future, these ‘narrators’ look at these creatures as inefficient machines and consider ways of editing and improving their code.
The film draws upon the research and tools used by Dr Darren Logan in his investigation of genetically influenced behaviour.