The controversy surrounding the Parthenon Marbles centres entirely on their initial acquisition and their current location in the British Museum.
In 1983, when she became the Minister for Culture of Greece, the esteemed actress and politician Melina Mercouri reignited Greece’s argument that they were illegally removed from the Parthenon temple in Athens by Lord Elgin.
The British Museum has consistently affirmed the legality of its acquisitions and that they are better and more securely preserved and appreciated in London. In the past, it has been stated that the sculptures are an essential part of its wider world collection, which enables visitors to understand both the full cultural and historical context of ancient Greece.
Greece asserts that the sculptures are integral to its national identity and historical narrative, and that only their reunification with the remaining Parthenon artefacts in Athens can provide the fullest, most complete, and meaningful context for their display.
With both sides standing firm on their positions, the debate remains unresolved. THE MARBLES advocates for reunification in what has become the art world’s most pressing issue.
2002: At 28, Kate Moss is already the greatest fashion icon of our time. Endlessly watchable, never predictable, always natural and utterly unpretentious. Kate shaped a generation. Yet she still yearns to be seen, truly seen.
In a bold move, Kate enters Lucian Freud's studio. Two British cultural titans converge, and Kate bares herself. We are drawn into their world, feeling every brush stroke.
Freud's genius explores Kate's hidden depths. Her complexity unfolds. A mesmerizing rapport develops. The wild party scene fades whilst self-discovery takes centre stage.
Witness Kate's profound transformation. Freud keeps challenging her. She pushes back. Tension mounts. Truths emerge. Kate finds her voice, her strength, her true self.
Kate blossoms from supermodel to eternal muse. This is a journey into the heart of an icon.
Feel the real Kate Moss. Vulnerable. Defiant. Reborn.
Official Selection BFI London Film Festival 2025 - World premiere
Official Selection Rome Film Festival 2025 - International premiere
This film follows the growth of the Afrocentric Black is Beautiful movement of the 60s and 70s through the lens of Kwame Brathwaite, pioneering Harlem photographer and its unsung godfather.
Kwame Brathwaite spent his life documenting black American history, photographing and befriending some of its biggest stars over his lifetime. He also founded grassroots fashion shows he called "Naturally" that celebrated natural black beauty and Afrocentrism in a time when it was deemed controversial, and heralded a new dawn for blackness across the globe.
Forgotten by history until his son uncovered his vast archive of photos in the 2010s, the film covers the revival of Kwame's legacy in the last few years of his life. Family, friends and artistic admirers championed Kwame's work in a bid to put his name on the map before his passing in 2023. Kwame's story weaves together the story of the black experience, cultural icons and activism, taking a Forrest Gump journey through the biggest names and moments in American culture.
Official Selection BFI London Film Festival 2025 - Official Competition - World premiere
Delving into the life of a Palestinian in the UK, separated from a culture and a way of life, this film captures the power of the human spirit in the face of adversity, delivering a powerful statement about the intersection of personal struggle and political conflict and offering hope, challenging narratives, and inspiring solidarity.
Official Selection BFI London Film Festival 2025
Forensic science is scrutinised when a fictional investigator questions procedures and motivations in the politicised 1999 bombings of flats in Russia.
Official Selection BFI London Film Festival 2025
Locked and loaded with film tape, a man explores an abandoned rave house, once known as The Warehouse, that was once the beating heart of the South West’s clubland.
On the anniversary of his father's death, a boy navigates a journey through grief within the family's crumbling manor house, with visions and dreams ushering a past generation into his present day. A piece of pure gothic magic realism.
An epic fable inspired by the life of Ann Lee, the founder of the Shakers, a radical religious movement that began in the late 1700s. Mona Fastvold's film depicts Ann Lee's establishment of a utopian society and the Shakers' worship through song and dance.
Official Selection Venice Film Festival 2025 - World premiere
Official Selection Toronto International Film Festival 2025
Official Selection BFI London Film Festival 2025 - Official Competition
Can a dog still be man’s best friend if that man is the Führer? Blondi explores the bizarre bond between Hitler and his beloved German Shepherd. From eating the crumbs under the table at the Führer’s birthday, to living in the confinement of the bunker, this film presents intimate glimpses of the dog’s daily life intertwined with the realities of war and fictitious, humorous newsreels, depicting the oblivious pet's significant and surreal impact on the Reich.
Official Selection Edinburgh International Film Festival 2025
A bold, narrative-driven experience that immerses players in the hidden and haunting histories of anti-Blackness in the US and UK.
This is an experience designed to be difficult – mentally and emotionally. Drawing from primary sources, historical records and scholarly analysis, Coded Black offers a journey through past atrocities and moments of triumph.
Explore two distinct, atmospheric scenes – a plantation and a modern 20th-century city – each filled with real historical documents and audio visual storytelling. With a structure that surfaces different content in each run, Coded Black is a narrative crafted for both personal reflection and educational engagement.
The game deals with the historical topic of slavery and racism, and therefore includes descriptions of violent acts, images of devices used for the chastisement of enslaved people, and archival imagery depicting victims of lynching. Note, there is a museum version available with the lynching images disabled.
A poetic memoir and political report, shot in Berlin and Leipzig, and in landscapes around the British Isles. The film’s narrative builds out from the events of the Reichstag Fire in Berlin in 1933 in which the pioneering German-Jewish sound recordist, Ludwig Koch, on whom the film ultimately centres, plays a minor role, placing him and his family in danger. The film is structured in two parts, juxtaposing Koch’s persecution in Nazi Germany with his experiences as a refugee recording bird song and other sounds in Britain.
The film’s images of contemporary urban and rural terrains, and of objects and documents, create a collision between past and present. Shifts in time are further emphasised through the use of Koch’s original sound recordings from Germany and Britain which feature throughout the film.
