Projects in categories: Artist Project and Video / Experimental

Synopsis

Bodies cannot speak freely under capital and surveillance. So the question is, what can the body speak? HOW TO DANCE searches for forms of expression that exist beyond the verbal, asking what kinds of truths, refusals, and desires can be conveyed through the physical.

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Thoughts in a notebook as a string of images. Made to celebrate Close-Up cinema, London. Premiere. Close-Up Year 20. 6.7.2025. Close-Up Cinema, London.

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Death Cafes offer a place for strangers to gather and discuss all things mortality. Animated in tea and coffee, STEEPING explores the ceremony of the cafe, inviting people to ponder our attitudes towards death and dying and reflect on how a conversation over a cup of something might make broaching the subject a little less terrifying.

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An interactive project and AR tour of archive relating to the town of Folkestone’s first chalk hill figure, the legendary Folkestone Elephant. Revealing ancient artefacts, folk costumes, rare archive film, and Augmented Reality magick. The AR app guides visitors on a walk through the beautiful local countryside neat Folkestone. Using geo-located video clips and sound, the expedition takes them from Newington to Summerhouse Hill, for a chance to summon the elephant.

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In the stillness of a park, a grieving young man meets a mysterious stranger whose comforting presence rediscovers hope and uncovers a connection that transcends time and loss.

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A visit to the underworld to report back to the living on the victims of war that haunt it.

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A bold, narrative-driven experience that immerses players in the hidden and haunting histories of anti-Blackness in the US and UK. This is an experience designed to be difficult – mentally and emotionally. Drawing from primary sources, historical records and scholarly analysis, Coded Black offers a journey through past atrocities and moments of triumph. Explore two distinct, atmospheric scenes – a plantation and a modern 20th-century city – each filled with real historical documents and audio visual storytelling. With a structure that surfaces different content in each run, Coded Black is a narrative crafted for both personal reflection and educational engagement. The game deals with the historical topic of slavery and racism, and therefore includes descriptions of violent acts, images of devices used for the chastisement of enslaved people, and archival imagery depicting victims of lynching. Note, there is a museum version available with the lynching images disabled.

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A private conversation is transformed into a soundscape where only the occasional word emerges with any clarity. Moiré patterns move like human shapes, meet then separate into the darkness.

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After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless Southeast Asian ghost cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.

Synopsis

Haunted by unanswered questions about himself, Olly journeys through his past. His story unfolds in two starkly contrasting realms: the raw simplicity of his childhood, captured in his own drawings, and the fluid, surreal world of his dreams. We glimpse the fractured memories of his early years: an abusive father, a mother lost in the haze of the past, and his sister Sally, a beacon who urged him to find escape and control within his own imagination, transforming nightmares into refuges from reality. Official Selection Raindance Film Festival 2025 - World premiere Official Selection Venice International Film Festival (Biennale Cinema) 2025 - International premiere

Synopsis

A poetic memoir and political report, shot in Berlin and Leipzig, and in landscapes around the British Isles. The film’s narrative builds out from the events of the Reichstag Fire in Berlin in 1933 in which the pioneering German-Jewish sound recordist, Ludwig Koch, on whom the film ultimately centres, plays a minor role, placing him and his family in danger. The film is structured in two parts, juxtaposing Koch’s persecution in Nazi Germany with his experiences as a refugee recording bird song and other sounds in Britain. The film’s images of contemporary urban and rural terrains, and of objects and documents, create a collision between past and present. Shifts in time are further emphasised through the use of Koch’s original sound recordings from Germany and Britain which feature throughout the film.

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Exploring the reports of a spectral mansion on the outskirts of Rougham, a village in the Eastern county of Suffolk. The film delves into local folklore surrounding these sightings as villagers recount their haunting experiences against the desolate backdrop of rural Britain. It reflects on themes of memory, place, and the fading tradition of oral storytelling, evoking the eerie atmosphere of a fractured England and our growing disconnect from the natural environment.