Projects in categories: Artist Project and Video / Experimental

Synopsis

NOW AGAIN is the first filmic interpretation of Marcel Proust's entire novel 'À la recherche du temps perdu'. Part Three encompasses the volumes of SODOM & GOMORRAH. Filmmaker Richard Philpott stretches narrative form into rich and varied experimental territories, providing a visual feast and sonic immersion, using AI and unique digital production techniques, to reveal the vast panoramic structure of Proust's great masterwork and provide a 21st century foundation for this timeless 20th century epic.

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Spoon finds a coupon. Official Selection Annecy International Animation Festival 2026 - World premiere

Synopsis

When We Stop Spinning is a short film about love, human connection, healing and loss. An independent drama created for audiences who love thoughtful storytelling and visually driven filmmaking.

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In GAWD V. THE PEOPLE, the audience is part of the court, it’s an AI-led tribunal where humanity is on trial for the right to remain on Earth. Volunteer audience members become witnesses aided by agentic legal aids as we defend our continued existence against Nonhumans testifying against human impact. Surrounding projection environments and evolving courtroom visuals transform the space to reflect the trial as evidence accumulates. Presided over by a darkly humorous Judge, GAWD, each performance culminates with an improvised verdict on humanity's survival and what the conditional terms will be. Official Selection Cannes Film Festival 2026 - Immersive Competition - World premiere

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The alien cosmos of microscopy becomes the setting for a posthumous dialogue: an exploration of the unspoken fallout of the pandemic years.

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In the days leading up to Christmas 1973 three astronauts enacted the first labour strike in outer space. Reconstructed from transcripts in claustrophobic close-up via CCTV system, THE CASE AGAINST SPACE is a real time investigation, dramatically collapsing embodied historical reenactment and speculative essayistic research - forming a collective testimony on struggle amongst the stars, of fights past, present and those yet to come. Official Selection Open City Documentary Festival 2026 Official Selection Visions du Réel 2026

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An experimental documentary that unfolds as a ceremony of queer belonging, inheritance, and sound. At its heart is a dialogue with Afro-Cuban priestess and musician Amelia Pedroso, whose legacy is invoked through archival traces, letters, and performance. Narrated as a letter to an ancestor, the film situates the search for connection within an interior, oceanic dreamscape where water, memory, and ritual become both setting and subject. Cinematically, MODUPE moves between a stylised ensemble rehearsal and a sacred library-archive. The ensemble of voice, drum, and dance provides the film’s pulse, collapsing rehearsal and ritual into one. Deep blue light, reflective surfaces, and submerged imagery create a sensorial architecture that is both intimate and expansive, with water presence throughout evoking both flood and transformation. Formally, the film resists linear storytelling, privileging atmosphere, rhythm, and sonic immersion. Objects, archives, and sacred materials hold the same cinematic weight as bodies in performance, reframing the archive as altar and sound as shrine. Narrative unfolds through resonance rather than resolution, drawing the viewer into a space of listening and reflection. MODUPE proposes cinema as a vessel for inheritance, where identity is fluid, memory is alive and liberation is lived through sound.

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A man desperate to regain his lost edge becomes convinced that a grotesque new deodorant is the key to confidence, power, and success... but the solution might be worse than the problem.

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In isolation on Iceland’s Snæfellsnes Peninsula, Nigerian-born modular synthesis artist Colloboh transforms glacial and oceanic recordings into sonic compositions - uncovering a dialogue between ice and sea that reshapes his understanding of consciousness, ecological collapse, and humanity’s place within both. As his process unfolds, Colloboh transforms these sounds into layered sonic works that blur the boundaries between observation and communion. The film culminates in a haunting gesture: he plays the completed composition back to the landscape itself, completing a dialogue between artist and environment. A meditation on impermanence, consciousness, and the fragile bond between humanity and the natural world. Official Selection SXSW 2026 - World Premiere

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Where did the first-ever TV broadcast take place? Beginning with a forgotten plaque in Folkestone, filmmaker Ben Barton follows a trail left by television pioneer John Logie Baird – and re-examines where television first sparked to life.

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Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026

Synopsis

Struggling with alcohol addiction and mental illness, an artist reaches out to an old friend.