OVER YOUR CITIES GRASS WILL GROW bears witness to German artist Anselm Kiefer's alchemical creative processes and renders a film journey through the universe of Kiefer's studio estate, La Ribaute, in the South of France. This strange, sprawling village extending over 35 hectares combines working studios, a network of tunnels, caves, underground pools, a crypt and an amphitheatre.
Shot in cinemascope, the film enters into direct contact with the materials Kiefer employs to build his works – lead, concrete, ash, acid, earth, glass and gold. Here creation and destruction are interdependent.
Official Selection Cannes Film Festival 2010 - World premiere
Official Selection Toronto Film Festival 2010
Façade re-transmits the flawed utopias and polarised theories suggested by Sergei Eisenstein’s unmade film 'The Glass House' into a fantastical vision of contemporary glass architecture far removed from its egalitarian origins. Narrated by Julia Somerville Façade casts 'glass' as a transparent subject rendered slowly opaque by the language it engenders.
A Time And A Time is a film constructed entirely from archive footage shot in Bristol over the last century. Three specific locations are chosen and filmed images from these geographical points are cut up and reassembled so that we recreate the place with people and buildings and vehicles that span time.
A 21st century office worker crosses a road that has just been blitzed, a woman from 1910 watches a man on a mobile phone kick a football. The distance that time creates is removed and these people are reunited in location.
Alba is a classic story of hope. Even in the darkest corners a better future is possible if we believe and will fight for it.
The short cleverly combines film and animation to portray the life and dreams of a boy stricken with illness. Following his experiences we see how the sterile and sombre life on a hospital world explodes in to the bright colours of a brilliant world of adventure. Lost in this fantastical universe the boy confronts his fear whilst fighting for survival and a way home. As the courageous knight he slays his demons finding the dawn light beyond the night of his world.
Moving out of our family house I had to dispose of some of my possessions. A time of reflection.
The film is a small memorial to all those who perished in the concentration camps.
Two Eritrean girls enchant with fragmentary tales of escaping their country, telling us what it feels like living as an unaccompanied child refugee, alone in London.
An intimate portrait, highlighting the emotional fallout of political conflict commissioned as part of London Borough of Islington's 'Kick Islamophobia' campaign.
A writer returns, disillusioned, to London and Paris. He begins on a story: a sleeper cell of young, glamorous urban terrorists. Gabriella, glamorous trophy wife of a young king-in-exile, holed up in an opulent London riverside penthouse, falls under the spell of a modern-day Che Guevara and, Patty Hearst-style, enlists in The Cause. She is sent to Paris under the 'front' of a drama student aiming at film. She takes her studies exceptionally seriously: encounters Bernard Stiegler, the leading philosopher on the subject of cinema and the human condition, and other luminaries. And she meets fellow-"student" activists, half-sister and -brother Julia and Sam, skilled actors who seem more interested in petty crime and scams. Their father is a political prisoner held in London; is he the master-mind? Has he been grooming them since childhood?
Our writer adopts the persona of a sleuth as he follows these anti-heroes. Books are passed, stolen: do they bear coded messages? Why is Gabriella obsessed with capturing her interviews on an outdated Nagra tape-recorder? What is their connection with the incipient terrorism on the city streets?
So our writer/sleuth uncovers events; but is he documenting actuality, or inventing a fiction?
Through the use of a secret camera, an out-of-work actor tries to uncover the reasons behind his failing career and takes on an experiment to find out if it is possible to control how others perceive him. Borges and I is a facetious commentary on the relentless recording and sharing of our lives in the wake of the user-generated-content generation.
An erotic drama that follows Manchester and Noon as they enjoy a long, hot, summer of love, living in a garage on waste-ground in post industrial Britain.
Noon is our narrator, a shy taxidermist who keeps a silent menagerie in the freezer alongside Manchester’s ice pops.
Manchester documents their affair. He rejects lighting, the planning of images or choreography in his photography, creating wonderfully charged images with just a couple of cheap, instamatic cameras.
When Franny, a wealthy pornographer, launches Manchester on an unsuspecting art world, his success destroys the beauty of their once idyllic life. He loses almost everything and only just wins back the one thing he loves, Noon.
By the Grace of God depicts the world of Jürgen, a tormented provocateur without a past or background, whose delusions of grandeur lead him to England in search of his place in history and his sovereign right to the throne.
A tapestry of feelings and ideas reveals a man who is simultaneously illuminated and tragic, who lives in the cracks of reality.
Cangleska Wakan discusses the 'sacred hoop' of the Sioux Lakota with discussions from powerful and respected contributors on Indian reservations in South Dakota.
