A marine odyssey into the folklore, ecology and history of seaweed in northern Scotland. Voiced by harvesters, environmentalists, archaeologists and seaweed farmers behind the miracle resource.
...then on the shore of the wide world I stand alone, and think
Till love and fame to nothingness do sink." 1818 John Keats
Readings from the poets Byron, Keats, Brontë, Tennyson, Coleridge and songs from the dark repertoire of the singer Nico with portraits from the films of Philippe Garrel circa 1975 and Andy Warhol's The Chelsea Girls and swirling electronic music from Ash Ra Tempel and new electric guitar sound track by James Creed and tracks to the songs by Graham Dowdall aka Gagarin and ex of The Faction, with new images of the River Thames put together in an elegy on iconicity, vocality, finitude and solitude.
Supported by Arts Council England
The artist Angela Charles finally reveals that she is experiencing dramatic sight loss after years of hiding it, as the self-proclaimed 'Queen of Bluff'. She explores notions of seeing and the limitations of language for the visual world, asking us, "What are you looking at?"
Looking at recent technological transformations in contemporary industrial agriculture. During the day, the greenhouse is a cinematic device, an automated film set optimized for the mass production of fruits and flowers. At night, the factory the greenhouse becomes an oneiric chamber where plants, animals and machines form new entanglements.
A unique film shot on analogue 35mm using different stereoscopic, lenticular and action capture cameras animated together to make a world that layers and freezes time, dancing back and forth in space: suspended in stasis, trapped in a perpetual present.
Who was Tilly Losch? Dancer, artist, choreographer, lover, wife, muse… Tilly seems a blur, glimpsed at the corner of the eye, dancing in and out of focus. A powerful and thought-provoking statement about female identity.
In the 1920s, the Ku Klux Klan achieved the height of its power: not in America's Deep South, but in the culturally liminal state of Indiana. Using never-before-seen archive, KLANDIANA explores the origin and horrors of Klan rule, and the legacy of historical amnesia that emerged in the era’s wake.
RESISTANCE SAHARA, a haunting yet playful exploration of the liminal space between experimental, documentary, and fictive filmmaking, presents an artistic response to the Sahrawi refugee crisis from the frozen war in Western Sahara. Bringing international artists from a mix of disciplines to the Sahara Desert, and with them will create something new, a response to what they encounter.
The film mix testimony from the mouths of the people who live in each zone of crisis with music; image; and symbolism. The audience is invited to reconsider their view of the nature of human suffering, and to build a new bridge of empathy with the people in these remote and sometimes forgotten places.
Focusing on the Haskell Free Library and Opera House – a unique municipal site that straddles the jurisdictions of Canada and the United States – the work continually recasts the border as at once powerful yet facile, absurd yet lethal.
Filmed on location to activate the legal and symbolic potential of the site, 45th PARALLEL unfolds as a monologue in five acts, performed by acclaimed filmmaker Mahdi Fleifel. The story centres on Hernández vs. Mesa, a judicial case covering the fatal shooting in 2010 of an unarmed fifteen-year-old Mexican national by a US Border Patrol agent. At the supreme court Mesa’s bullet, which crossed the US/Mexico border, began to implicate missiles fired in Yemen, Syria, Afghanistan, Pakistan, Iraq, Somalia and Libya. If this murder could be tried in the US, so too could 91,340 drone strikes.
Official Selection New York Film Festival 2022 - World premiere
Official Selection International Film Festival Rotterdam 2023
A reflection on how the weight of the past walks with us and the indifference of the ever-present, observant sea.
Official Selection International Short Film Festival Oberhausen 2022
The Alice of fifties animation visits the Wild West of fifties live action, but only through persistence of vision, they never meet in the same frame. The original Alice and the original Wild West were contemporaries too.
