A woman at the end of her life wanders lost in the woods where her memories find her. Seamlessly blending historical archive footage with dramatizations, the narrative explores how nature connects us to our past.
Astronauts venture to the moon in search of fresh resources. Illegal miners scavenge depleted gold deposits in Africa. The true cost of progress is complex.
At home in the north of England, an old woman tunes into the radio. As rain drips into the house, dark manifestations appear in her mind.
Official Selection London Short Film Festival 2025 - Nomination - Best UK Short Film
GREEN LUNG responds to the history of Derby Arboretum, Britain’s first public park, commissioned by mill owner Joseph Strutt, opened in 1840. Using screen-printed animation and found materials, the film makes connections between the nature of the park, and the industrial working lives of those it was intended to benefit.
Cam is a techno-hermit, conducting life from his electronically automated smart-home. Work, shopping, entertainment and most notably: socialising. Cam interacts with strangers on the platform Hello Stranger: a randomised video chatting website. Eventually, he encounters a masked stranger with an altered voice. Unnerved, Cam leaves the call only to find the stranger has hacked his smart-home and locked him in. The stranger tells Cam that he must win three rounds of games or it is ‘game over’. Viewers must make decisions and play the 3 games in order for Cam to survive but one wrong choice could lead to a grisly end.
An experimental collage film that uses a range of animation techniques to explore the story of migration and enterprise, told through the changing face of Britain’s high street. The film combines stop-motion with digital techniques and manipulated photographic cut-outs, creating continuous transition between past and present.
Official Selection Ottawa International Animation Festival 2024 - Official Competition
Official Selection Aesthetica Film Festival 2024 - Official Competition
A journey of a woman overcoming fear of not being accepted: from her desire to correspond to societal standards to finally accepting that she is ‘not normal’ and that the only acceptance she needs is the self-acceptance.
During the 1950s, Ireland had the highest rate of psychiatric hospital use globally. Using archival documents, filmmakers Cáit McClay and Éiméar McClay look critically at the evolution of Irish psychiatric institutions across the 20th century, examining the confluence of carceral, therapeutic and socioeconomic incentives that determined their influence.
Official Selection Rotterdam International Film Festival (IFFR) 2025 - World premiere
Different forms of communication are explored when a filmmaker attempts to find the name of a dead person they discovered behind their flat in Glasgow.
Taking its starting point the rapid drying of the Dead Sea, SINKHOLES is a dystopian vision of a world in which water has become scarce. Threading together ideas of entropy and the inhuman, SINKHOLES meditates on our desire both for survival and resignation in the face of extinction.
A ghostly train journey on a forgotten branch line transports a man visiting his dying father in a sanatorium to the edge of a mythic forest. The Quay Brothers third feature film - a tale told through puppet animation and live-action, inspired by the book 'The Sanatorium Under the Sign of the Hourglass' by Bruno Schulz.
Official Selection Venice Days 2024 - World premiere
Official Selection BFI London Film Festival 2024
Official Selection International Film Festival Rotterdam (IFFR) 2025
STRANGEWAYS floats and flows beyond our own strangled world. It’s where corridors twist into gardens, and fingers scribble sketches of dreams. Creatures, plants, earth, junk (and the stuff in the gaps between them) all converse with different voices, share wild thoughts, and explore strange ways together.
Official Selection Venice Film Festival 2024 - Venice Immersive - In Competition - World premiere
