An unidentified ghostly entity travels through nocturnal shimmer - A faint and fleeting glow of the night - it is an 'egregore', a collective being formed by unconscious memories. This spectral presence drifts between night towns and children's dreamworlds, navigating fragmented geographies and temporal folds.
Inspired by 1980s and 1990s Chinese children's science fiction films like WONDER BOY, the filmmaker reimagines electricity not just as infrastructure, but as a living force - speculating: what if the ghost that once inhabited lightbulbs and circuits is now displaced, scattered across phone screens and the devices of a sleepless global supply chain?
In this film, the ghost transforms from a figure of mystical empowerment into a fragmented existence, diffracted, dispersed, and re-coded.
Assembling fragmented connections through material and time from light accessory factories in southern China, through the dreams and imagination of children living nearby, and the port town of Grays in eastern England. These peripheral spaces appear to host accidental encounters, yet in reality, they serve as vital nodes in the circulation of low-cost global goods - concealing the shadow infrastructures of globalisation.
Official Selection CPH:DOX 2026
An experimental feature film that dives into the murky waters of memory. The filmmaker's daughter Eden, dressed as Dorothy, walks a path of recollection but she does not walk alone. On her journey she is accompanied by workers from a factory that produces memory.
Official Selection Edinburgh International Film Festival 2025 - World premiere
A journey through the pages of an old Chinese-English dictionary. Ink drawings and 35mm animation explore the Chinese character for ‘walk’, which takes on meanings in turn literal, historical, personal and abstract. An experimental animated short about language, meaning and moving through the world (one drawing at a time).
Daria has written her first manuscript about falling in love with a mysterious girl called ‘abi’ [blue]. The night flowers in her garden hide the secrets of a country that has turned love stories into routine crime scenes.
Official Selection Toronto International Film Festival 2025
Official Selection BFI London Film Festival 2025
An imaginative, art-meets-science cinematic experience that brings audiences face-to-face with insects as miniature giants on our planet. Combining 3D scans of real insects and immersive storytelling, the 3D environments presents insects as the new dinosaurs, scaled up to T-Rex proportions—revealing their beauty, complexity and ecological importance in a way never seen before.
Developed by Visioning Lab, GIANT INSECT WORLD bridges art, science and technology to offer a new public understanding of the natural world. It forms the core narrative for a touring exhibition that integrates 3D-scanned insect models, interactive projection and virtual-reality encounters. The work celebrates biodiversity and inspires curiosity about the fragile ecosystems that sustain life on Earth.
Bodies cannot speak freely under capital and surveillance. So the question is, what can the body speak?
HOW TO DANCE searches for forms of expression that exist beyond the verbal, asking what kinds of truths, refusals, and desires can be conveyed through the physical.
Thoughts in a notebook as a string of images.
Made to celebrate Close-Up cinema, London.
Premiere. Close-Up Year 20. 6.7.2025. Close-Up Cinema, London.
After decades of lies, resentments and stolen identities, a Muslim mother confronts her drag queen son for her long overdue moment in the spotlight.
Mother's husband and Son's father has just died. Mother is losing everything; her house, her glamour, her visibility. Son is profiting from grief; a drag queen who wins the applause his mother has never received. Whilst he has the spotlight, she is erased. He exaggerates stories of his mother, bartering in Islamophobic tropes to win white peoples’ sympathy. Her life is being re-written by her son – and he does it dressed as her.
Like Medea before her, Mother decides to claim what is hers – her voice, her identity, her story, her trauma. She confronts her son backstage for a show. A tragic Greek confrontation ensues, where intergenerational curses are finally broken, and Mother claims what she feels is rightfully hers.
Her womanhood, her spotlight, her moment.
Official Selection BFI London Film Festival 2025 - World premiere
Official Selection Aesthetica Film Festival 2025
Death Cafes offer a place for strangers to gather and discuss all things mortality. Animated in tea and coffee, STEEPING explores the ceremony of the cafe, inviting people to ponder our attitudes towards death and dying and reflect on how a conversation over a cup of something might make broaching the subject a little less terrifying.
A private conversation is transformed into a soundscape where only the occasional word emerges with any clarity. Moiré patterns move like human shapes, meet then separate into the darkness.
