Projects in genres: Experimental

Synopsis

SLEEPING IN PUBLIC is a new collaborative moving image commission, collaborating with writer Ellen Wilkinson for Bristol Museum and Art Gallery. Captured at night in Bristol, the video work shows details of empty spaces: functional but overlooked parts of the city that in daylight would be populated by people working. In these dark images people are distantly present: a blurry figure passes behind a semi-opaque loading bay door; chairs wait for sitters to return; discarded paper cups are lit by the blue flashes of an emergency siren; someone wearing a high visibility jacket pauses in the centre of a car park. The measured – perhaps weary – voice of the European narrator describes workers in a warehouse of artificial plants and flowers. Without a defined beginning and end, this looping video reflects the repetitive nature of the daily work that many of us do, depicting workplace hierarchies and the subtle ways in which people's behaviour is controlled.

Synopsis

2018: neo-fascism has taken over. The government implements a programme to chip the population of the UK. Eloise, a documentary film-maker, suspects she is being brainwashed by a secret government organisation.

Synopsis

In 1977, immigration divides Britain. What happens when a punk fanzine challenges the status quo? Official Selection Sundance Film Festival 2017 - International Documentary Short Film Selection - World premiere

Synopsis

A young filmmaker questions how he connects to his emotions, by talking to a stranger online who can’t feel any. This stranger (Robert) suffers from 'Alexithymia', which is a condition most simply described as ‘Emotional Blindness’, it’s the inability to identify and describe emotions in the self.

Synopsis

Drawn in red wax pencil and charcoal, following the conflict between John and the bothersome beetles that show up everywhere. Eventually John decides he needs to get rid of the pests, but it isn't easy with the medication he's on.

Synopsis

Juxtaposing images of the production sites of the pharmaceutical-chemical industry with speculations on the historical, social, and material conditions of Cyanotype photography, in this piece artist Kerstin Schroedinger probes into the (gendered) politics of materiality and the (violent) historicities of its form. The film follows a figure that proceeds through the stages of exposing and developing a Cyanotype. They revisit sites in Seveso, Italy, and Basel, Switzerland that both relate directly to the history of Prussian Blue, a blue synthetic dye. Official Selection Berlinale 2018 - Forum Expanded Exhibition - "A Mechanism Capable of Changing Itself" - Group exhibition at Akademie der Künste, Hanseatenweg

Synopsis

A short, animated film about the interior of an 'iceberg' home (a home where the sub-ground levels are larger than the house above). The iceberg home in question was not developed due to hundreds of objections from surrounding neighbours in Knightsbridge, West London. CONSTRUCTION LINES shows this iceberg home rendered as a 3D model, using the original architectural plans and the software ‘Sketchup’. The narrative of the film, the model of the home, and the scenes played out within it, are informed by the objections filed against the planning application, as well as online articles speculating about the lives and lifestyles of the super-rich. Official Selection at Aesthetica Short Film Festival 2017 - World premiere Official Selection Hamburg International Short Film Festival 2018 - Deframed Competition - International premiere

Synopsis

Acclaimed visual artist Jon Rafman presents a nightmare vision of a disturbing a computer-generated world. Official Selection BFI London Film Festival 2017 - Cult Strand

Synopsis

A looping GIF has an existential crisis. Official Selection BFI London Film Festival 2017 - Dare Strand

Synopsis

Personal moments are lost in film cuttings or disappear into a coloured fog only to suddenly reappear in new constellation. This is the visual richness of Highview: four, partially overlapping, 16mm images that fully coalesce into a colourful abstract painting but also create a narrative as an exploded montage. (Rotterdam International Film Festival brochure) Official Selection BFI London Film Festival 2017 - Experimenta Strand

Synopsis

The filmmaker asks her ten year old son, Harvey, about his arsenal of weapons, many of which are intended for other use; the handle of a back brush, juggling batons, and a plastic cricket stump. Despite his enthusiasm for maiming and killing, Harvey has no idea why we have wars.

Synopsis

Original footage was taken from the internet, reprocessed into vertical stripes with three frame blocks of positive black & white alternating with high contrast negative. These dance spotlights were part of the International Lindy Hop Competition held in Washington, D.C in 2013.