An experimental documentary that unfolds as a ceremony of queer belonging, inheritance, and sound. At its heart is a dialogue with Afro-Cuban priestess and musician Amelia Pedroso, whose legacy is invoked through archival traces, letters, and performance. Narrated as a letter to an ancestor, the film situates the search for connection within an interior, oceanic dreamscape where water, memory, and ritual become both setting and subject.
Cinematically, MODUPE moves between a stylised ensemble rehearsal and a sacred library-archive. The ensemble of voice, drum, and dance provides the film’s pulse, collapsing rehearsal and ritual into one. Deep blue light, reflective surfaces, and submerged imagery create a sensorial architecture that is both intimate and expansive, with water presence throughout evoking both flood and transformation.
Formally, the film resists linear storytelling, privileging atmosphere, rhythm, and sonic immersion. Objects, archives, and sacred materials hold the same cinematic weight as bodies in performance, reframing the archive as altar and sound as shrine. Narrative unfolds through resonance rather than resolution, drawing the viewer into a space of listening and reflection. MODUPE proposes cinema as a vessel for inheritance, where identity is fluid, memory is alive and liberation is lived through sound.
The story of Carter The Bandit, a Peckham-born rapper navigating London's music industry and the challenges of being a visible, gay black man in a nation struggling to keep pace.
In isolation on Iceland’s Snæfellsnes Peninsula, Nigerian-born modular synthesis artist Colloboh transforms glacial and oceanic recordings into sonic compositions - uncovering a dialogue between ice and sea that reshapes his understanding of consciousness, ecological collapse, and humanity’s place within both.
As his process unfolds, Colloboh transforms these sounds into layered sonic works that blur the boundaries between observation and communion. The film culminates in a haunting gesture: he plays the completed composition back to the landscape itself, completing a dialogue between artist and environment.
A meditation on impermanence, consciousness, and the fragile bond between humanity and the natural world.
Official Selection SXSW 2026 - World Premiere
June 1961, NYC: Legendary jazz pianist Bill Evans has found his musical voice and created the perfect trio, including bass player Scott LaFaro, said to be his soulmate through music. A residency at New York’s Village Vanguard culminates in the live taping of two of the greatest jazz records of all time in one night. Ten days later, LaFaro dies in a car crash. Numb with grief, Evans stops playing. EVERYBODY DIGS BILL EVANS is the story of what happened next for one of the most influential and gifted figures in 20th century music.
Official Selection Berlin International Film Festival 2026 - Competition - World premiere
Courtney Love, singer, songwriter, and actor, is sober and preparing to release new music after a decade, ready to share her unfiltered story.
Official Selection Sundance Film Festival 2026 - World premiere
A rising pop sensation navigates the complexities of fame and industry pressures while preparing for her arena tour debut, revealing the transformation of underground culture into mainstream success.
Official Selection Sundance Film Festival 2026 - World premiere
Official Selection Berlin International Film Festival 2026 - Panorama - International premiere
A driven outsider penetrates Wu-Tang Clan's inner circle, channeling his ambition and creativity into an album that's about to spark worldwide controversy.
Official Selection Sundance Film Festival 2026 - World premiere
1985 was a difficult year for me. My mother had died, an attempted love affair went badly wrong, I hadn't made a film for five years. I bought a video camera and went to Cuba for three weeks.
Music and memory play important parts. I first heard this particular music in Louis Malle's LES AMANTS (1958) when I was a teenager.
In extreme cold, the human body can turn against itself through paradoxical undressing: failing nerves mistake freezing for heat, compelling the dying to shed their last protection.
In 水托邦 HYDROTOPIA, hydrophones frozen into ice capture the material disintegration of their frozen body as a projected film gradually emerges into clarity. The film follows British-Chinese artist Jamie Man suspended by hooks pierced through flesh in a winter landscape, practising rituals rooted in Shiva-dedicated traditions that explore a state of perpetual non-being. As the ice surrenders its form and the image sharpens into focus, transformation itself becomes the subject: matter abandoning one state for another, the body held suspended between dissolution and emergence.
Official Selection International Film Festival Rotterdam 2026 - World premiere
Playing with Fire introduces audiences to an intimate virtual performance by Yuja Wang, inviting guests to witness the physical and mental act of performance through repertoire personally selected by Yuja, ranging from Bach and Chopin to Debussy, Prokofiev and Stravinsky. From this repertoire, writer and director Pierre-Alain Giraud has crafted a narrative and created transformative visual and musical worlds in collaboration with artist Gabríela Friðriksdóttir.
At the center of the space, both real and virtual, is a Steinway & Sons Spirio concert grand piano, which acts as the bridge between the concert hall and the artist’s inner visions. The Spirio system—an advanced self-playing technology that can precisely record and reproduce the keystrokes of live performances—recreates Yuja’s virtuosity on the physical instrument in real time, synchronised with the holographic fingers of her virtual self.
A poignant and poetic exploration of the rise and decline of Luton’s once vibrant Caribbean culture. Through intimate personal stories, rich historical context, and a cultural lens, the film traces how a thriving legacy rooted in migration, music, resistance, and community has been gradually eroded over the years.
From the golden days of sound system culture and bustling youth clubs to the bouncing spirit of Luton Carnival formerly Europe’s largest one day Caribbean carnival, the film reflects on how these vital cultural institutions have been systematically dismantled through decades of underfunding, neglect, and shifting priorities.
These weren’t just events or social spaces, they were expressions of identity and anchors of community.
With vignettes/reenactments shot on 16mm film and interwoven with candid communal conversations, this documentary offers a poetic and thought provoking insight and invites audiences from all backgrounds to engage in deeper reflection on the value of heritage and the fragility of community spaces.
The film ends on the question of: How do communities reclaim their space, their voice, and their future?
Official Selection BFI London Film Festival 2025
In this South Asian team sport, players repeating ‘kabaddi’ frantically cross boundaries on the court, tagging their opponents before returning.
Ka ba Ddi is a high-energy team sport originating in South Asia played between two teams of seven players on a divided court. Players respond to boundaries, bodies think in relation to each other: lines of the court, focal points for players movements. Stretching back into their own territory; a vocabulary of movement that make connections with what is happening in the wider world, in domestic UK politics but also internationally. Territory has never felt so terrifying or so contested. The rules based order of Kabaddi stipulates that one team sends a single "raider" into the opposing team's territory, the aim is to tag/touch as many players as possible from the opposing side before retreating back into your own territory. Rules govern our bodies, we live in a series of ever increasing courts both materially and ideologically.
Official Selection BFI London Film Festival 2025 - Short Film Competition
