In 1989, Wong, a first-generation immigrant, and his mixed-race son, Andy, face a challenging evening at their Chinese takeaway. Dealing with impatient customers and mixed-up orders adds to their frustration. Tensions rise when Wong’s eldest son, Kenny, arrives late for work. Their strained father-son relationship unfolds in front of customers. When a group of drunk, racist customers enter the takeaway tensions escalate further.
In extreme cold, the human body can turn against itself through paradoxical undressing: failing nerves mistake freezing for heat, compelling the dying to shed their last protection.
In 水托邦 HYDROTOPIA, hydrophones frozen into ice capture the material disintegration of their frozen body as a projected film gradually emerges into clarity. The film follows British-Chinese artist Jamie Man suspended by hooks pierced through flesh in a winter landscape, practising rituals rooted in Shiva-dedicated traditions that explore a state of perpetual non-being. As the ice surrenders its form and the image sharpens into focus, transformation itself becomes the subject: matter abandoning one state for another, the body held suspended between dissolution and emergence.
Official Selection International Film Festival Rotterdam 2026 - World premiere
Through the psychoanalytic and introspective voiceover of a young post-pandemic Chinese migrant in Europe, the film interweaves her private memories of intimacy with public narratives of resistance. As her reflections unfold, she and her community navigate secrecy, repression, survival, looming precarity, and displacement, all while confronting the personal cost of existing in a world that demands their silence.
Neza bazi, an ancient South Asian cavalry sport adopted by British colonial officers, has two distinct scenes in today’s UK. There is the national team (posh, tweed-wearing) and a quickly growing Pakistani British circuit at the heart of this film. Then there is Jaleal, a dual-heritage competitor who braids manes and sharpens lances while quietly dreaming of show jumping.
Filmed over three summers in the northern town of Bradford, RIDING TIME meanders from the absurd to the profound. Juxtaposing the boisterous play and caretaking of the stables with the pounding hooves and fine kurtas of competition, the film follows its protagonists into a transcendent space between geographies, childhood and adulthood, people and horses.
Official Selection Leeds International Film Festival 2025 - World premiere
Official Selection Berlin International Film Festival 2026 - Generation Kplus - International premiere
Go-wing, 19, is going to be the first university graduate in the Au family - or so her father thinks. In between school breaks, she even works in his takeaway to help keep costs down. But Go-wing’s hectic yet mundane and isolated life is about to change when she arrives at a visiting circus on a delivery trip. There, not only her hidden rollerblading talent is celebrated, but she also discovers a bigger ambition - High Wire.
To keep pursuing this new-found, death-defying aspiration and still be the good daughter her father wants - she lies. Go-wing is going to play a balancing act not just on the wire, but also in real life.
Official Selection BFI London Film Festival 2025 - World premiere
Feifei, a Chinese girl living in Wales, searches for a fish that will bring good fortune to her family’s restaurant.
Official Selection BFI London Film Festival 2025 - World premiere
In this South Asian team sport, players repeating ‘kabaddi’ frantically cross boundaries on the court, tagging their opponents before returning.
Ka ba Ddi is a high-energy team sport originating in South Asia played between two teams of seven players on a divided court. Players respond to boundaries, bodies think in relation to each other: lines of the court, focal points for players movements. Stretching back into their own territory; a vocabulary of movement that make connections with what is happening in the wider world, in domestic UK politics but also internationally. Territory has never felt so terrifying or so contested. The rules based order of Kabaddi stipulates that one team sends a single "raider" into the opposing team's territory, the aim is to tag/touch as many players as possible from the opposing side before retreating back into your own territory. Rules govern our bodies, we live in a series of ever increasing courts both materially and ideologically.
Official Selection BFI London Film Festival 2025 - Short Film Competition
In Cambodia, former Khmer Rouge child soldier Aki Ra and his wife Hout help communities reclaim their land by undertaking the potentially lethal task of clearing unexploded landmines left over from years of war. Along the way they adopt unwanted kids whose childhoods and limbs have been destroyed by landmines, and open a war museum that soon becomes world famous. Aki Ra fights to break free of shadows cast by his role in the genocidal Khmer Rouge regime, and rebuild his shattered family. But in a country grappling to come to terms with its history, the past always has a way of catching up.
A vampiric trio move through sacred ruins, where bodies blur, relics stir, and both life and death appear in shadow.
Official Selection BFI London Film Festival 2025 - World premiere
Official Selection International Film Festival Rotterdam 2026
AFTER EIGHT uncovers the darker side of Britain’s post-pub curry culture. Telling the story of Satpal Ram, the film unveils a major miscarriage of justice in British history and sparks reflection on the ongoing struggle for racial equality.
Official Selection International South Asian Film Festival Canada 2025
I-Ling’s experience whilst taking her 'Life in the UK' test reminds her of the difficulties and constraints she faces as an immigrant working hard to get her citizenship.
After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless Southeast Asian ghost cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.
