Projects in genres: Experimental

Synopsis

NOW AGAIN is the first filmic interpretation of Marcel Proust's entire novel 'À la recherche du temps perdu'. Part Three encompasses the volumes of SODOM & GOMORRAH. Filmmaker Richard Philpott stretches narrative form into rich and varied experimental territories, providing a visual feast and sonic immersion, using AI and unique digital production techniques, to reveal the vast panoramic structure of Proust's great masterwork and provide a 21st century foundation for this timeless 20th century epic.

Synopsis

Julian Johns' (a once-formidable instructor) former student Charlotte Levant returns home to face the ghosts of her past. Joining them are John Percy, Julian’s old friend whose sudden arrival stirs long-buried truths; Josephine Chabrol, Charlotte’s protective sister; Vincent, a restless artist caught between love and loyalty, and Jacqueline, a young aspiring dancer whose presence forces everyone to confront the weight of what they’ve left behind. Official Selection Tribeca Film Festival 2026 - World premiere

Synopsis

Spoon finds a coupon. Official Selection Annecy International Animation Festival 2026 - World premiere

Synopsis

Imagine hearing your own body: eyes scratching, blood rushing, bones creaking, your heartbeat pounding endlessly. For most, it’s unthinkable. For Dave, it’s daily life. Since 2000, he has lived with Superior Semicircular Canal Dehiscence Syndrome (SCDS), a rare disorder that turns his body into an echo chamber. This immersive short documentary draws viewers into Dave’s sonic reality through raw narration, stark black-and-white imagery, and an unsettling soundscape. As he recounts years of misdiagnosis and disbelief, the film explores resilience and isolation, ultimately asking why we doubt invisible pain and how empathy begins by truly listening to what we cannot see.

Synopsis

When We Stop Spinning is a short film about love, human connection, healing and loss. An independent drama created for audiences who love thoughtful storytelling and visually driven filmmaking.

Synopsis

After the death of their ill-tempered and controlling father, middle-aged sisters Constantia (Con) and Josephine (Jug), find themselves at a loss. The story takes place in 1920 and is set within a European townhouse where Constantia and Josephine have always lived with their domineering father. The two sisters' mother died when they were young, and they have spent their lives enslaved to the rhythm and routine of Father’s house. Even in death they fear their father and imagine him springing out of the wardrobe or shouting at them from his grave. Over time, their father’s control diminishes and they find comfort in taking part in peaceful activities in each other’s company. An unexpected visitor also helps them to find the courage to begin their lives anew. A merry, rude, and lyrical, animated adaptation of the modernist short story written by Katherine Mansfield in 1920. In this adaptation the sisters will begin to assert themselves in joyful, unexpected ways that could only be depicted in animation. Official Selection Quinzaine des Cinéastes / Directors' Fortnight Cannes 2026 - World premiere

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The alien cosmos of microscopy becomes the setting for a posthumous dialogue: an exploration of the unspoken fallout of the pandemic years.

Synopsis

Inmates under Home Detention Curfew are promised instant parole through a government early-release pilot, if they can prove they’re reformed in group therapy. Strangers trade confessions like currency, bartering trauma, charm, and twisted lies. Dumb crimes spark laughter, serious crimes suck the air out of the room. Empathy and morality are mandatory, but the system isn’t testing remorse - it’s testing performance. In a surreal stage of confessions and manipulation, honesty is demanded, yet the real question lingers: who among this motley crew can convincingly fake redemption? A darkly comic, sharply observed tale where freedom hinges on the art of deception.

Synopsis

A filmmaker unpacks her evolving relationship with her adolescent German Shepherd, confronting the painful question of why, despite raising him, he seems to love her partner more. Blending observational and verité footage with personal narration, this tender story of unrequited love unfolds into an intimate inquiry into the complexities of caregiving and cross-species bonds. Contending with the influence of intergenerational parenting styles on the human–dog relationship and the ways dog’s express agency, the film ultimately asks whether it is possible to love truly without conditions.

Synopsis

A man lists the things that he has. Official Selection Annecy International Animation Film Festival 2026 Official Selection Flatpack Film Festival 2026

Synopsis

In the days leading up to Christmas 1973 three astronauts enacted the first labour strike in outer space. Reconstructed from transcripts in claustrophobic close-up via CCTV system, THE CASE AGAINST SPACE is a real time investigation, dramatically collapsing embodied historical reenactment and speculative essayistic research - forming a collective testimony on struggle amongst the stars, of fights past, present and those yet to come. Official Selection Open City Documentary Festival 2026 Official Selection Visions du Réel 2026

Synopsis

An experimental documentary that unfolds as a ceremony of queer belonging, inheritance, and sound. At its heart is a dialogue with Afro-Cuban priestess and musician Amelia Pedroso, whose legacy is invoked through archival traces, letters, and performance. Narrated as a letter to an ancestor, the film situates the search for connection within an interior, oceanic dreamscape where water, memory, and ritual become both setting and subject. Cinematically, MODUPE moves between a stylised ensemble rehearsal and a sacred library-archive. The ensemble of voice, drum, and dance provides the film’s pulse, collapsing rehearsal and ritual into one. Deep blue light, reflective surfaces, and submerged imagery create a sensorial architecture that is both intimate and expansive, with water presence throughout evoking both flood and transformation. Formally, the film resists linear storytelling, privileging atmosphere, rhythm, and sonic immersion. Objects, archives, and sacred materials hold the same cinematic weight as bodies in performance, reframing the archive as altar and sound as shrine. Narrative unfolds through resonance rather than resolution, drawing the viewer into a space of listening and reflection. MODUPE proposes cinema as a vessel for inheritance, where identity is fluid, memory is alive and liberation is lived through sound.