After a terrorist bombing, junior intelligence officer Helena Brennan is tasked with gathering information about a radical Muslim cleric - the notorious and elusive al Sharif. On travelling to Pakistan, Helena becomes involved in a botched mission to capture one of al Sharif’s key lieutenants. One of her colleagues is murdered, and the other is kidnapped and later executed, as Helena’s world disintegrates around her. She must hunt down the perpetrators to find redemption.
That’s the story. But the film doesn’t show you how the story unfolds. Instead, you encounter its characters alone in a black void, staring into the camera’s lens. Their faces are the film’s landscapes. They report on the lives they are forced to live and the harrowing world that we’ve imagined for them. THE VIEW FROM ABOVE is a film that asks spectators to confront the brutal, misogynist and white-supremacist ideologies of the stories we consume as entertainment. It seeks to reveal the role that so many contemporary thrillers force audiences to play and invites them to regret learning their lines.
A surreal, abstract journey through a series of murderous dreams, where Death takes centre stage, and faceless spectators applaud the inevitable.
Official Selection London International Animation Festival 2024 - World premiere
Official Selection Sundance Film Festival 2025 - International premiere
Official Selection Clermont-Ferrand International Short Film Festival 2025
An immersive 360 film, based on letters home written by two Cornish Boys from west Cornwall, who emigrated to Australia in 1864. The recently discovered letters, which provide the inspiration, overarching visual motif and compelling lyrics of the piece, cry out with homesickness, loneliness and separation, and the everyday challenges and triumphs of their pioneering life in an evolving nation. The boys had their mining and farming skills to fall back on; they also brought their culture too, particularly their deep chapel faith.
The Cornish Diaspora of the 19th century saw 250,000 people leave Cornwall, fleeing poverty and seeking opportunities across the globe. Approximately 10% of the population of South Australia, and over 3% of Australia as a whole, has significant Cornish ancestry and the settlement of the areas within of South Australia, Victoria and New South Wales are sometimes referred to as ‘Little Cornwall’.
Official Selection Cornwall Film Festival 2024 - Festival World premiere
Official Selection Adelaide Fringe 2025 - Festival International premiere
Exploring the life of Remi Milligan - a filmmaker known for genre-defying cult films - delving into his unique style, the toll his work took on his personal life, and the mystery of his 2006 disappearance.
A visually-arresting, psychologically layered journey through shifting states of consciousness. The film follows Pandemonia, a London-based conceptual artist who exists as a living artwork - an anonymous avatar navigating both real and constructed worlds. Against the stark backdrop of London’s high-rises, Pandemonia enters a mysterious castle whose corridors, stairways, and chambers form a labyrinth of the mind.
Reality and the subconscious intertwine as each ascent reveals dreamlike spaces, elusive memories, and fragmented versions of self. The castle becomes a metaphor for identity - unstable, multifaceted, and shaped by the interplay of perception and projection.
The work emerged from a unique collaboration with Chinese film maker Tim Yip, who provided a unseen film footage from the Love Infinity project. Using William Burroughs’ cut-up technique, these discarded fragments were deconstructed and reassembled into a new narrative through editing, animation, and digital manipulation. The film’s atmosphere is further enriched by an original score from Taiwanese musicians Code Wu and April Red, whose soundscapes heighten its hypnotic pull.
Blurring the lines between found footage, conceptual performance, and cinematic dream, THE CASTLE invites viewers to explore the unstable architectures of selfhood in our image-saturated, digital age.
TRANS CAMERA ACTION uses digital and analogue filmmaking methods for a meaningful exploration of the construction and impact of trans and non-binary representations through conversation with trans and non-binary film workers. The film also includes experimental and allegorical views of trans representations in 16mm and 8mm film.
A spellbinding performance film by Iain Forsyth and Jane Pollard, bringing to life the remarkable story the extraordinary Geraldine Flower, and the discovery of a suitcase of letters sent to her in the 1960s and 70s that inspired acclaimed Icelandic singer/songwriter Emilíana Torrini to return to the studio.
Part film, part theatre, part fever dream — THE EXTRAORDINARY MISS FLOWER takes the form of a series of specially designed performances by Emilíana and her band, combined with dramatic scenes and readings from letters by well-known actors and musicians. It's ultimately a heartfelt love letter to the enduring power of creativity and friendship.
Official Selection BFI London Film Festival 2024 - Official Competition - World premiere
Official Selection Dublin International Film Festival 2025 - International premiere
SUBURBAN FURY revisits the 1975 assassination attempt on President Gerald Ford through the perspective of would-be assassin Sara Jane Moore, a conservative, middle-aged mother who became radicalized while working as an FBI informant. Freed after serving 32 years of a life sentence, Moore returns to San Francisco under watch of the Secret Service to tell the extraordinary story of her transformation from suburban housewife to government infiltrator to far-left extremist. Interweaving rarely seen archival footage with an imaginatively staged dialogue between Sara Jane Moore, the informant, and Bert Worthington, her FBI control agent, the documentary features exclusive access to Moore, revealing a beguiling, and often seemingly unreliable, narrator. Her true nature, as well as the validity of political violence, are ultimately left up to the mind and heart of the viewer.
Official Selection New York Film Festival 2024 - World premiere
A personal essay film centring on a sci-fi B-movie shot in Hemel Hempstead about the arrival of a non-human entity infiltrating the minds of residents with a toxic black slime. Playing a composite character of herself and the movie’s detective protagonist, filmmaker Danielle Dean brings together real and imagined worlds, past and present.
Official Selection New York Film Festival 2024 - World premiere
Official Selection BFI London Film Festival 2024 - European premiere
Lawrence Lek directs an animated court drama where the defendant is a driverless car accused of kidnapping its own creator. Setting the premise for the artist to address themes like accountability, agency, the (already happening) use of AI in the justice system, and the future of class struggle.
Official Selection International Film Festival Rotterdam (IFFR) 2025
A woman at the end of her life wanders lost in the woods where her memories find her. Seamlessly blending historical archive footage with dramatizations, the narrative explores how nature connects us to our past.
Astronauts venture to the moon in search of fresh resources. Illegal miners scavenge depleted gold deposits in Africa. The true cost of progress is complex.
