After a terrorist bombing, junior intelligence officer Helena Brennan is tasked with gathering information about a radical Muslim cleric - the notorious and elusive al Sharif. On travelling to Pakistan, Helena becomes involved in a botched mission to capture one of al Sharif’s key lieutenants. One of her colleagues is murdered, and the other is kidnapped and later executed, as Helena’s world disintegrates around her. She must hunt down the perpetrators to find redemption.
That’s the story. But the film doesn’t show you how the story unfolds. Instead, you encounter its characters alone in a black void, staring into the camera’s lens. Their faces are the film’s landscapes. They report on the lives they are forced to live and the harrowing world that we’ve imagined for them. THE VIEW FROM ABOVE is a film that asks spectators to confront the brutal, misogynist and white-supremacist ideologies of the stories we consume as entertainment. It seeks to reveal the role that so many contemporary thrillers force audiences to play and invites them to regret learning their lines.
TRANS CAMERA ACTION uses digital and analogue filmmaking methods for a meaningful exploration of the construction and impact of trans and non-binary representations through conversation with trans and non-binary film workers. The film also includes experimental and allegorical views of trans representations in 16mm and 8mm film.
Based on a true story - Ivan and his father, operating a small hospital at the frontline, are tested when a platoon of Russian soldiers approach their building, forcing them to make a difficult decision to protect their patients and their own lives.
BAFTA Film Awards 2025 - Winner - Best British Short Film
A documentary that looks intimately at the incredible life story that shaped an iconic female musician who defined an era - The Selecter’s Pauline Black.
Pauline Black goes on an odyssey looking at her personal experience of identity and how it has informed her life and art. The Two Tone movement was the perfect setting for Pauline with her mixed British, Nigerian and Jewish heritage. It was the catalyst that allowed her to explore and express all sides of herself and figure out who she is. Looking at her own groundbreaking experience, Pauline traces how her legacy is relevant to the world around her today where modern society pushes the boundaries of gender, politics, race and identity.
“More than anything I wanted my family to finally say my name, Pauline Black. They could never bring themselves to say the B word. After years of being called half-caste or coloured, I could say it loud and proud, Pauline Black. I wanted to assert my new identity, fashioned in my own image, not somebody else’s idea of who I should be. My rebirth was complete. The ‘rude girl’ I had invented had a new name, Pauline Black.”
Official Selection BFI London Film Festival 2024 - World premiere
Official Selection CPH:DOX 2025 - International premiere
GREEN LUNG responds to the history of Derby Arboretum, Britain’s first public park, commissioned by mill owner Joseph Strutt, opened in 1840. Using screen-printed animation and found materials, the film makes connections between the nature of the park, and the industrial working lives of those it was intended to benefit.
An emotional documentary that looks at the lives of three Ukrainian refugees who now live in the UK, Brazil and Germany respectively. Each share their stories of escape from Russian occupation, and the hardships they've experienced whilst assimilating to new cultures as they rebuild their lives.
During the 1950s, Ireland had the highest rate of psychiatric hospital use globally. Using archival documents, filmmakers Cáit McClay and Éiméar McClay look critically at the evolution of Irish psychiatric institutions across the 20th century, examining the confluence of carceral, therapeutic and socioeconomic incentives that determined their influence.
Official Selection Rotterdam International Film Festival (IFFR) 2025 - World premiere
Are scientists doing enough to sound the alarm about climate breakdown?
When the UK government pledges to "max out" oil and gas extraction, the lives of psychology professor Colin, microbiologist Abi and ecologist Aaron collide outside the Department for Business, Energy and Industrial Strategy (BEIS), where they and six others are arrested for causing alleged criminal damage. But who are the real climate criminals? As restrictions on protest tighten, will scientists retreat to their laboratories or will more stand up than ever before?
A window into the world of reluctant activism, PLAN Z explores the moral power of protest when established routes of influence fail.
A new republic UAR – United African Republic – emerges from the former nation of Nigeria that was plunged into darkness by the long years of corruption and incompetent leadership. However, UAR hasn’t gotten on its feet yet; it suffers from security challenges. But its new leader President CEPHAS OBI is steadfast to combat insecurity by using the AI technology U-Watch that detects potential crimes long before they can be executed.
When 16 year old Erin is told to hide who they are on Pride day to supposedly protect their family, they have to figure out how to keep everyone happy, while being true to themselves.
A coming of age drama about holding your own.
Satinder Aujla, the UK Conservative government’s new foreign secretary, holds a press junket. Her internalised racism defends fascist policies as British values. We realise she has forgotten her heritage in exchange for power.
Official Selection Tasveer Film Festival 2024
In the heart of Nepal, nestled amid majestic landscapes and ancient traditions, lies a profound tapestry of spiritual and religious practices. Nepal's history has been predominantly shaped by patriarchal traditions: the Sramana tradition of renunciates and the Brahmana tradition of priests. Yet, there exists a lesser-known matriarchal tradition. Kathmandu, Nepal's capital, meticulously planned by its founder Gunakamdev, features a unique constellation of eight Ajima temples on its peripheries. These temples, dedicated to the grandmother goddesses Ajima, serve as protectors of the city and hint at matriarchal ideals.
Tantra, a spiritual path focusing on energy and liberation, adds another layer to Nepal's spiritual landscape. Unlike patriarchal traditions, Tantra celebrates women's sexuality, emphasizing mutual enjoyment and viewing the body as a sacred temple. Within this matriarchal framework, six genders are recognized, promoting a more inclusive understanding of human diversity.
Kathmandu's labyrinth of temples, structures, and symbols offers glimpses into a bygone era when wise women possibly ruled and protected society, and when Tantra and other spiritual practices flourished. However, invading patriarchal forces have rewritten Nepal's history, obscuring its rich and diverse spiritual heritage, leaving many unaware of their profound legacy.
